A Research About Dombera Manufacturing Under The Vision Of Intangible Cultural Inheritanee

As the intangible cultural heritage has been extensively excavated, organized and protected, all kinds of traditional folk arts, performing arts and traditional craftsmanship has became an important carrier of the Chinese ethnic folk art cultural heritage. Because the intangible cultural heritage is a "living state" culture, we have to protect not only the carrier of it but also the artists who have the outstanding performance skills about the intangible cultural heritage. This has became one of most important problems about the protection of the intangible cultural heritage.Dombera is the most representative stringed instrument of Kazakh, which is distributed in several Kazakh ghetto, including Yili, Mulei, Balikun, Boletala, Urumqi, and so on. Dombera is the spiritual bond between Kazakh culture and ethnic identity, the representation of the diversification of Kazakh art, performance and music, and the most important part of Kazakh folk art. As Dombera plays an important role in Kalakh music culture, Chinese government classified it as one of the second batch intangible cultural heritages in2008, which had been caused a widespread attention.In2009, the state Culture Ministry classified Adilihan Abdullah as one of the third batch national intangible cultural inheritors. Adilihan Abdullah devoted all his life to the heritage and innovation of Dombera manufacturing. He improved the Dombera manufacturing after long time research. The academic research about Dombera inheritors is rare, author hopes to make up the deficiency through fieldwork and theoretical study about Dombera.As the background of symbiotic geography, history and humanity environment with Dombera, this paper will summarize the development and evolution of Dombera, reflect on the problems of the heritage, explore the more scientific and long-term methods to protect the intangible cultural heritages and open up a broader space for the heritage of Dombera manufacturing in the future. This paper is divided into five parts:1. Introduction. By collecting and collating of the early literature, combined with fieldwork this part will put forward the origin, purpose, current research, and research methods of the study.2. Describe the background of symbiotic geography, history and humanity environment with Dombera. 3. Summarize the development and evolution of Dombera, reflect on the problems of the heritage.4. Explore the more scientific and long-term methods to protect the intangible cultural heritages and open up a broader space for the heritage of Dombera manufacturing in the future.