Vivid Experiential Narration And Self-conscious Conceptional Angle

As a powerful writer in contemporary China,Hu Xuewen’s creative work have drawnmuch attention increasingly.From the prairie-rural life mainly in the early to exploring humansoul now,Hu Xuewen’s fiction has changed distinctly.Hu Xuewen’s early fiction have a distinct feature which is the vivid experientialnarration.It particularly reflects on the country writing with strong prairie flavor,miserynarration based on the reality,lively and solid nobody-excavating and pragmatic trulyfemale-caring.After the transformation,Hu Xuewen focuses on learning from ModernistNovel’s form,with an eye to all humanbeings’ soul’s dilemma.By using narrative skills,thetexts come into defamiliarization from readability.Meanwhile,the early perseverant sons ofprairie are replaced by urban orphans with fatigued expression.The self-consciousconceptional angle becomes the writer’s creation characteristic now.Hu Xuewen’s fiction-change that comes from experiential narration to conceptionalangle arises from the combined action which are external environment and the autherhimself.Contemporary circumstance’s pluralistic shock and literary context’s multi-voiceanxiety urge the writer to adjust and change exteriorly:the former causes Hu Xuewen’s rethinkabout the reality society and makes him show his misgiving and puzzlement in the novels;thelater lets Hu changes to the advant-garde literature test that sticks to literature’s spirit qualityin the context of prosperous popular culture.Meanwhile,the writer’s transcendental attitudeand groping practice,discourse’s evolution and theme’s broadening and form’s change withinthe texts are all the specific performances of Hu Xuewen’s personal pursuits in his creativechanges.Hu Xuewen’s fiction-change belongs to exploratory progress with merits andshortcomings.It makes sences include of the writer’s self-transcendence,pure literary pursuitand reality feelings’ distillation.The limitation is lack of creativity,according to Hu Xuewen’srelying too much on western modernistic literature’s creative methods.And so,the expressionthat perceives social reality according to oriental culture and in the basis of native experiences should be the other possibility of his self-transcendence.