| National culture is a precious spiritual wealth accumulated by the people of allnationalities in the long-term historical development process. The world is undergoinga time of great changes and major adjustment period, culture has increasingly becomean important source of national cohesion and creativity. The Yao traditional culture isnot only the precious spiritual wealth of the legacy in history, but the contemporaryYao relies for survival and development of the most important and unique resources.The King Pan Festival Yao is the Yao people to miss the ancestor Panhu and evolvedout of a festival, ancestor worship of the Yao people, is also the essence of the Yaoculture. This article from the perspective of cultural heritage, drawing on the basis ofpredecessors’ research results, from the government heritage and folk heritage of theKingPan Festival Yao, to explore the interconnectedness and mutual influence of twodifferent heritage of its heritage significanceand the protection of intangible culturalheritage.This article is divided into six parts. The main contents include research status,the King Pan Festival Yao profile, Yao private voluntary organizations the King PanFestival, governmental organizations the King Pan Festival of Yao, and theinheritance and protection of the King Pan Festival Yao.Introduction section describes the research background, research situation,summed up the significance of this study, the theoretical basis and research methods.The first chapter is an overview of the introduction of the King Pan FestivalYao. The King Pan Festival Yao’s origin, from the legend of King Pan Festival to thefolk King Pan Festival’s origin and organized by the government of King PanFestival’s reason. Second, from the point of view of the ancient literature of theancient ritual of the King Pan Festival was introduced. And a brief introduction toKing Pan Festival held under foreign Yao.The second chapter aims to explain the activities of civil the King Pan FestivalYao. Yao is a constant migration of peoples, to form a branch of the title, the characteristics of scattered, small settlements, a direct result of these differences onthe environmental background different parts of the different branches of the Yaolanguage and customs are different. Around Yao Panhu festival in the title, worship,worship way inconsistent. In the civil development of each region is highlyrepresentative of the ritual has "cut the bull" sacrifice,"playing song hall of worshipand ritual variation Temple Festival."The third chapter aims to explain the activities of the government of the KingPan Festival Yao. Yao is a multi-national ethnic lines, and there is no national unityfestival. Yao on behalf of the forum held in Nanning, Guangxi Province, in August1984, to determine the annual Lunar New Year October16King Pan Festival. At thispoint, Yao only the national unity festival. the King Pan Festival Yao so far has beensuccessfully held for12sessions, the activities have a certain uniform standards,which are the combination of the essence and the spirit of the traditional culture ofYao. Folk Heritage and government are two different forms of heritage heritage Yaotraditional culture is better protected.The fourth chapter presents the heritage and protection of the King Pan FestivalYao. the King Pan Festival Yao held festivals is not only the Yao people entertainmententertainment to the people of God, the spirit of the traditional culture of the Yaoinherited. the King Pan Festival Yao to let Yao Panhu worship been extended, is oneof the identity based on ethnic origin is also the heritage of the Traditional Culture ofYao. In2006, the King Pan Festival Yao approved by the State Council to be includedin the first batch of national intangible cultural heritage. Protection the Yao King PanFestival urgent matter.End of the King Pan Festival Yao protect and pass on the problems described. |
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