The Value Research Of Thematic Oil Painting In Xinjiang

The creation of thematic oil painting reached a peak whether in the subject orquantity from the1950s until around the Cultural Revolution. The creations of thisperiod were all from the main theme of the history revolution to obey politicalchange. Topics, content and the ideas expressed of the creation were around thatparticular period and special environment, and the mainstream creation were fromthe angle and scope of the political. Since the literary policy shifted, politics was nolonger occupy the entire space, historical revolution began to weaken and the essenceof the painting came to be respected after the reform and opening up, the direction ofthe thematic painting began to transform largely. All-round opening up of China tothe world in the1980s, promoted the transformation of the modern socialist marketeconomic system. The emancipation of the mind and the updates of conceptaccelerated the process of social transformation. Due to the introduction of westernculture, Chinese oil painting was impacted by diversification and began to innovateactively in the form of expression, a variety of genres had appeared, the overallenvironment of artistic creation became easy and free, and thematic oil paintingstended to be weak in a period of time inevitably. The phenomenon of connotationmissing of thematic painting in this period caused concerns and reflection ofdomestic artists, and the calling of thematic painting revival became more and moreintense. With the starting of “The Project of Art Creation of National MajorHistorical Themes” in2005, as well as the establishment of “National ThematicCreative Arts Research Center " in April20,2012, thematic art creation returned, andappeared tendency of development. Contemporary thematic oil painting started tobase on reality, focus on the spirit of the times, put people first, pay attention toliving environment, and reflect the inside inspirit. In brief, it was paying attentionto society, facing up to history and facing the reality.The creation of Xinjiang thematic oil paintings was from the fifties and sixtiesof the20th century, with the hot realism in early days as the mainstream, with thecreation of theme as the fundamental, to form the basic form of the contemporary oilpainting in Xinjiang. This paper discusses the creation value of Xinjiang themepainting, in order to inadequate supplement of Xinjiang thematic oil paintingstheoretical research literature. This paper discusses the overview and development ofXinjiang thematic oil painting, analyzed the connotation, characteristics and thecharacteristics of the times of thematic oil paintings, to improve people’s understanding and awareness of the national value and significance of Xinjiangthematic oil painting. This paper elaborates the creation of contemporary Xinjiangthematic oil painting, the reason and process of rapid development in the basis of thetraditional from the course of development of Xinjiang thematic oil paintings, as wellas combing and presentation of thematic painters and their classic works. This paperfocuses reviewing the actual promotional value of Xinjiang thematic oil paintings inthe background of consumer age, and how can we establish the sense ofresponsibility and social responsibility of Xinjiang thematic oil painting groups fromthe speed consume era and in the background of domestic reality and the spirit of thetimes. Then, the paper further explores the question and the solution caused byXinjiang thematic oil painting creation in the context of a wide range of valueorientation, as well as the premise of the art market boom. Finally, the paper exploresthe development trend of Xinjiang thematic oil paintings from thedevelopment situation and the use of regional cultural resource, and takes thematicexhibition of inside and outside Xinjiang as an example, discusses the promotionvalue of Xinjiang thematic oil painting.