| In2007, by taking the chance of the movie of Love Empty, mobile phone novels whose literary form co-created by mobile culture, teenage culture,"home" culture began to incorporated into the current research horizon. Based on the differences among paper books, the internet literature and mobile phone novels, the research emphasizes on "inward spreading" and "reduced cutting presentation" these two aspects to define the existential form of mobile phone novels, as well as to interpret the "realistic type" of the mobile phone novels within the girlhood "love aesthetics".The first chapter,"Definitions and Differences", intends to define the distinctions among mobile novels, paper-based media and the internet literature, to confirm that the realistic type of mobile phone novels is an independent literary form. The key points are that this realistic type of mobile phone novels covers all fashion girl groups’characters in the way of originating, spreading and impacting. The representative example, Chaco’s Gift from Angle, was written as a diary, posted on a personal website, and read by the readers with a restricted access. The content of this novel is some special emotional topics about women, such as the traumatic love experience. At the same time, this novel expresses in a female tone coupled with the distorted text, deliberately modified syntax, trying to establish a subtle feeling about how women cope with the reality.The second chapter,"The Existential Form of Mobile phone Novels", continues to clarify the new fashionable writing/reading style based on "mobile-screen-based principle" which derives from the collision and fusion of the habitual distorted text and mobile phone this daily fashionable equipment. Its characteristics can be summarized into the following two points:a. clever use of the display of the reduced cutting presentation of the screen. b. the well recognized inward language among girls.The last chapter,"The Highly Consuming Era of Literature", sets off from the literary genesis, taking Naito Mika’s Love Empty which published on the website called Magic Island during the second mobile phone novel boom in December2005as an example of realistic type, therefore tries to represent the "girlhood love and redemption" aestheticism from the perspective of cultural production/consumption. |