In The Early Days Of Guangdong Area Fiower-and-bird Painting Form Research

After the founding of new China, the socialist literature and art policy and wave impact on the form ofChinese painting language and subject matter is obviously, also plays a role can not be ignored on theflower-and-bird painting appearance and presentation. The influence scope and the role of Guangdong area offlower-and-bird painting in the early years of the Republic is a regional, but from the time of the longitudinaland transverse view of space, is essentially a far-reaching influence at home and abroad, radiation. Althoughthe mainstream art of the Chinese art circle, Guangdong region of flower-and-bird painting influence notoccupy the leading position in after the founding of the PRC, but its characteristics and groundbreaking sincethe last half of the twentieth Century has been highlighted, and a new generation of Guangdongflower-and-bird painter who continued.Founded in1956as Guangdong, is in the national art form emerge as the times require. In the early yearsof new China Guangdong area of Chinese painting, whether it is their life and art creation are more or lessaffected. After all, this is a magnificent era, an era of destruction and reconstruction, it away and left toposterity the memories. Existence and significance of inherited his father, master of traditional Chinesepainting education tradition is obviously group phenomenon that can not be ignored, and the relatively newAcademy of fine arts education system is very meaningful for reference and comparison.Looking back at the initial stage, it is not difficult to see that experience during the rise and fall of rain,the author tries to make the time period for the foundation, a comb and excavation of the Guangdong region ofthe field of flower-and-bird painting. Under such a background, exquisite Guangdong area flower-and-birdpainting creation, is very meaningful, this is the area of a large environment, but also has a dialectical study onbi-directional significance.