Uyghur Classic Literature "Ferhad U Shirin" Theme Of Intertextuality

Uyghur literature is an important part of Chinese literature, Uighur classical literaturehas a long history, achievements is not only the focus of world attention, also added a richcolor and treasure of the Chinese nation. In the long process of historical culture, Uyghurclassic literature not only inherits the excellent cultural tradition, literary tradition, but alsoabsorb India, Arabia, the Persian and Greek classical literature of rich nutrition, with astrong national spirit and strong local color, using literature as a carrier, the classical era,Xinjiang politics social, cultural. Uyghur classic narrative poem” Ferhad u Shirin " theme inthe evolving process of the foreign literature absorbing, not short the process of itsnationalization, localization, which is the typical representative of. This paper attempts toelaborate this problem from the perspective of Intertextuality.Love poem "Ferhad u Shirin" has a long history in the East in classical literature. Intenth Century, the Iran poet ferdowsi Burka Westwood,(Ferdowsi) the widely circulated inIran plateau people love story first into written literature. Ad twelfth Century, Nezami(Nizami) in Persian wrote "Khosro and Shirin” and get a great success. In FourteenthCentury a mill, Hoth Lu, Delhi dimension (Amir Husraw Dehliwi) following the nizamiyah,wrote the name of the narrative poem. The year fifteenth Century poet Eli Hill (ElshirNawayi) he is a great thinker after the Uyghur classic literature relay Yusup Haas Hajip. Asthe poet Eli Hill (Elshir Nawayi) to challenge the "five volumes of poems" Nezami, andnative-Uygur first created including " Ferhad u Shirin "，"Hay Mi Sena Wa Bea"("Big Bookof five volumes of poems")In the Uyghur classic literature, Nawai’s first creation narrative poem” Ferhad u Shirin "，with its story, rich content, superb artistic characteristics and famed at domestic andinternational, also attracted many poets and writers, therefore in the Uyghur classicliterature, writers often are created according to the a theme. Nawai, Wu Maier buck·leaves cut, Mullah Stick leaves cut, such as Abdurehim Nizari is a representative poet with “Ferhad u Shirin " theme creation. Research in Uighur classical literature, although the "Ferhad u Shirin " as the subject matter of the work conducted by some research, but nosystematic comparison and study the inner link and the similarities and differences of thesefour works. Therefore, this article will take the theory of intertextuality as a starting point, toprove the importance of this literature phenomenon from the aspects of theory, caseanalysis to summarizing etc.. This paper will mainly analysis between the Uyghur classicliterature in different stages, different writers" Ferhad u Shirin “theme of mutual absorption,change, references and the conversion process, the development process of the Uygurliteraturerd new res, summarizes its inherent law of development, in order to put forwaearchideas on Uyghur classic literature and attempt innovation This paper consists of introduction, text, conclusion of four parts, accessoriesChapter one (Introduction): the topic background and significance, research status athome and abroad, the innovation and research methods are discussedThe second chapter: introduces origin and development of western literary theory of"intertextuality" and "intertextuality", and discusses the theory into China’s literature and inUyghur literature and so on, at the same time to explore intertextuality phenomena exist inUighur classical literatureThe third chapter: introduce the classical literature of ferdowsi, Nezami, Hoth Lu, Delhidimension three poets narrative poem of the same name, at the same time in Uighurclassical literature " Ferhad u Shirin “theme of the source. Finally discusses theintertextual relationship between East three booksThe fourth chapter: mainly discusses " Ferhad u Shirin” theme into the Uyghurclassic literature, the creation of overview, I’ as Buck· leaves cut, Mullah Stick leaves cut,Abdurehim Nizari and other famous poets, as well as " Ferhad u Shirin " as the theme offour worksThe fifth chapter: discuss the intertextual relationship to " Ferhad u Shirin " as thesubject matter of the four works in Uighur classical literature, analysis to " Ferhad u Shirin”for features of intertextuality theme works plot, the central idea, character, artisticexpression and intertextual techniques and points out that the writings of similarities anddifferences from the perspective of intertextuality. Finally discusses the intertextualrelationship between Uyghur classic literature in the" Ferhad u Shirin " theme and offspringin Uygur Literature " Ferhad u Shirin " theme. This chapter is the focus of. This chapter isthe focus ofConclusion: the preliminary research results and deficiencies of this thesis aresummarized, and put forward the topic research goal and relevant comments andsuggestionsThe attachment part: in order to avoid the other researchers in the future research,encounter various difficulties in contrast to " Ferhad u Shirin " theme works, at theattachment portion attached on "Parr Hudson and Xi Lin" theme of handsheetspreservation conditions, published and edited by " Ferhad u Shirin " theme literaturebooks...