Fiction And Drama Adapted Aesthetic Dislocation And Thinking

Fictions and TV plays are art products with distinct forms, the formerexpress one’s tender feeling through words, while the latter does it through videoimages. But essentially, they surprisingly share similar aesthetic pursuit, that is,they use different aesthetic body to achieve the same aesthetic effect. Comparedwith TV plays which only experience a short history, the Fiction is an art with deepcultural heritage. For this reason, from the beginning of its birth, TV play imitateanother image media—movie and plays up to the extensive and profoundart—fiction. However, as the image media become more and more powerful, imageand media era abruptly arrives and TV plays embezzle and change the fiction in allaspects. At the same time, fiction also affects the production and innovation ofTV series with its long history and strong infection. As a fictionist and dramatist inboth fields, Liuliu’s works are not only hit ones on the screen but also best-sellers inthe book market. The study on the text of her works is representative. This essayaims at exploring and throwing light on the aesthetic dislocation regarding tofiction and TV play adaptation. This essay consists of three parts: introduction,main body and conclusion. The main body part is mainly divided into threechapters，general content is as follows：in the first chapter，the backgroundconcerning the marriage of fictions and TV plays and the basic situation in Liuliu’sTV palys and novels are shown; in the second chapter, the profound influencefiction exerted to the creation of TV plays is mainly discussed; the third chaptermainly focuses on how TV plays dispel the literariness in novels. The conclusionpart mainly explores the integration and development trend of the two media.