The Reconstruction Study Of Kizil Grottoes(No.38)

The Kizil Cave, sitting in BaiCheng county XinJiang territory, dug betweenthe beginning of the third century and the forth century leaves. The KizilCave not so much that it is because of living in the most western of ourcountry and digging first, as it is known around the world due to it reflectlots important cultural exchange things at that time. At the end of thenineteenth century and the early twentieth century, many expeditionscoming from France, Russia, Japan and other countries do somearchaeological investigations in The Kizil Cave. All of them, Germanexpedition is the largest robber. Regrettably, part of the mural wasdamaged in World War II. The Kizil Cave38is the one of them.The38th Cave has the center of the Kizil the extant typical QiuZi stylethe tower column-Grottoes, which is set in India, Central Asia and theWestern Buddhist art characterized as one with a special characterGrottoes. The38th Cave enjoys exquisite murals skills, stronglycontrasting colors, an outstanding representative of the Kizil Grottoesmurals,. It has important research value. German expedition team stolenthe38th Cave, of which the main room front wall of the upper semicirclewall DouShuaiTianGong the Temple saying Figure murals, the four gracefulBuddha exposing go, three have been damaged by the war, ceased to exist,only black-and-white photo which stolen before the German shooting is alsoretained.Author,in November2011, had the honor to visit The Kizil Cave. Whilecopying the38caves,the author witnessed the relics feeling very sad.Depending on author’s two months copying experience, and plusing to someresearches written by famous experts and survey report of the Germanexpedition in recent years, the author will review murals loss of ahistorical and reproduction of The38Cave.The author will do some studyof The38Cave due to professional learning practical application andstudy of recent years. Due to the recovery in the form of incomplete muralscan not exceed undisturbed conception and innovation, the author have tofully investigate of the historical data, and understand the theme andstyling features and forms, methods, features, etc. Through the study ofthe traditional murals drawn material and color change identify the meremention of the law of the color restoration, while emphasizing the lineshape function, the author will reproduce the original murals look.