Analysis Of Modern Ink Painting Significance

Modern ink painting after the reform and explore some educator, artist, mainlythrough a combination of Chinese and western change, the introduction is actuallyrealistic modeling and traditional ink contradictions, adjustment, learn from eachother and com. process, in this process we see figure painting exhibit self discovery,to improve the characteristics of self. In this paper, by mining the historicalbackground, theoretical foundation of modern Chinese and Western paintingintegration, to analyze the features of creative achievements, at the same time betweentext and other historical relationship between, in order to summarize the connection ofthe two, to contemporary painters some enlightenment.The origin and development of the main body of the paper second chapteroutlines the four stages of the realistic wash figure painting. The first stage, buddingperiod. The commodity economy, the public sectors of the demand for the two mainexternal factors for the western realistic view rooting provides a fertile soilgermination in Chinese society; change the artists own thought to western realisticpainting techniques in China blossom fruit. During this period, the painter Ren Bonianfirst to accept new ideas, after careful investigation and boldly in his works to make anew attempt, which is different from the previous style, his paintings and thereforehas been widely acclaimed by Chinese and foreign collectors. The second stage, XuBeihong improved the traditional ink figure painting period. At the beginning oftwentieth Century, France Xu Beihong returned in a deep understanding of theshortcomings of traditional China painting, claims based on inheriting the traditionaladvantages, absorb the positive elements of Western painting, thus improved Chinapainting. His theory has attracted many people’s eyes, and widely discussed, althoughsome people disagree, but we have to admit that he has made great contributions tothe development of realistic painting. The two stage is the early days of foundationand the"Cultural Revolution". In the improved Xu Beihong Chinese painting ideas putforward after nearly100years, after Jiang Zhaohe, Zhou Changgu, Fang Zengxian, Lu Shen, Zhou Sicong, Wang Shenglie, Liu Guohui and so on several generations ofcontinuous exploration and efforts, make this kind of painting from naive to mature,and embarked on the path of diversification, gained a lot of results. Because of themajor historical themes creator control ability is more and more strong, the themes arealso popular audience favorite, this paper separately applying this theme set out todescribe realistic in this theme in. The third chapter from the subjective and objectivetwo aspects the necessity analysis has realistic wash figure painting, need to developboth subjective painting itself, the objective aspect is mainly determined by thehistorical environment and audience of two factors. The fourth chapter expoundssome enlightenment realism of contemporary ink figure painting. The ink figurepainting development today,"people-oriented" has become the contemporary artist’sconcern, which requires the contemporary artists continue to strengthen other ability,careful handling relations between, ink and other fusion, and grasp the pulse of thetimes, deal with these relationships should become a life-long mission ofcontemporary realistic wash figure painter. Finally summed up the existence ofmodern ink painting significance. We see, today’s China culture is booming, Chineserealistic painting will become the leading huge engine Chinese painting development.