On The Necessity Of Pluralistic Development Of Contemporary Chinese Meticulous Brushwork Figure Painting

This dissertation tries to deal with the necessity of pluralistic development of contemporary Chinese meticulous brushwork figure painting. This dissertation is divided into six parts. The first part deals with the evolution of the Chinese meticulous brushwork in the past thousands years, which reflects the wisdom and spirit of the nation. This kind of art has become one symbol of the nation. The evolution has paved a solid way for the contemporary Chinese meticulous brushwork figure painting, which is of long standing. The history of its development is a glorious one of the nation culture. Giving consideration to rite tradition and dealing with the historical rise and decline of contemporary Chinese meticulous brushwork figure painting can provide its development with historical experiences. The second part deals with the influence of the western painting language and concept on the Chinese meticulous brushwork figure painting. With the infiltration of the western painting into China, which has given the Chinese meticulous brushwork figure painting an inevitable shock wave, Chinese meticulous brushwork figure painting has to go beyond the fixed pattern and a breakthrough is in need. The third part deals with the general law of the art development, i.e., carrying on tile tradition and unceasingly rebelling against the tradition. Firstly, we should treat the tradition not only with an historical eye, but also with the developing and changing viewpoint and concept. Secondly, the tradition and the creation are dialectical. Both are in the condition of contradiction and unity. Thirdly, Chinese meticulous brushwork figure painting has been set up on the base of the traditional painting. The forth part deals with the different artist characters causing the pluralistic development of the art style of Chinese meticulous brushwork figure painting. The show of artist characters is the prerequisite of the art creation. Initiating the pluralism of art style is the need of the art itself metabolism as well as the need of the art creation. The fifth part deals with the pluralistic development of contemporary Chinese meticulous brushwork figure painting being the times demand. The sixth part deals with the openness and comfort of the social and cultural environment putting forward the pluralistic development of contemporary Chinese meticulous brushwork figure painting.