Research Chinese Calligraphy And Seal Cutting Works

Early Qin Dynasty and the world, for political and social considerations, to the once balance and text immediately. The weight of imperial inscription is bearing the weight of the body when the two. As a cultural tyranny and no official word as to rigorous standards of stele text that is in the text in the process of penetration and infection of libian formed naivete style, explanation and the aesthetic value of art is the aim of this thesis to this kind of phenomenon. In recent years, with the continuous discovery of Qin culture relics, a lot of Qin weight Chao version available to further enrich our vision, but also constantly update our understanding of the text. This paper attempts to Qin weight Chao Ming as a whole to grasp the macro study, and attempts from four aspects, the first is the sort of background and historical reasons, then describes the measurement history and historiography value, again with the same time font are compared and analyzed, finally, to explore the characteristics and style of type the present contribution to aesthetics in the history of calligraphy, especially the inheritance and innovation of contemporary calligraphy inspiration significance.