Beginning Of The20th Century Foreign Chinese Drama Research

My dissertation analysis the interactions between socialenvironment and drama through the process of Chinese foreignthemes drama’s emerge, develop and evolution in the beginning of20th century, and seek the effects of foreign themes drama whichcombined foreign ideology, art, culture and live styles during thisperiod of social transformation. By choice and analyzerepresentative politicians, educators, students, civilian, dramagroups and dramatic works, to discuss the differences between themission of drama and the actual effect of drama under China’spolitical and cultural exchange and conflict, and the differencebetween rooted exotic art style and the civilian’s art demand. All ofthese conflicts emerged new cultural styles and let it developed. Byanalyzing those phenomenons will effect for the currenttransnational cultural exchange and development.By collecting, consulting and analysis the books and journalswhich published at that time. And based on modern andcontemporary Chinese research results of the early20th century.Based on reorganized the current research results, I give my viewson the early20th century China’s foreign themes drama. themes drama emerged at the early of20th century, and it’sprompted to the social development of that period. Because theearly20th century was a special history period, so the foreignthemes drama worked as a significant role in propagating Westernpolitical thought system, spread Western culture, showed thestructure of capitalist society and people’s life in the West. And it’salso because foreign themes drama, a form of drama whichimported original and direct, made an essential effect on enrichingthe content of Chinese drama; changer play form and especially inprompting the appearance and development of Hua Ju. Mydissertation analyses the drama phenomenon in that special periodby analyzing the combination of drama and social environments inthe early20th century.An introduce of foreign drama,the most important thing isanalyses the big effect but which can not be on show.Mydissertation analysis the problems and characteristics of foreigndrama creation.Points out problems of Liang Qichao’s foreign dramathat can not show,and analyzes his closet drama.When introduction of foreign material drama groups are focuson analysis of Nankai groups.And to understand the theaterespecially influential students play performance characteristic.Points out that the actors and the audience after accepted of somewestern ideology and culture that can be very good to acceptforeign drama and develop new forms of performance.In introducing foreign subjects dramas, such as la dame auxcamelias performance to discuss the success and failure, analyzes its success or failure.Introduce the drama must do be to adapt tothe Chinese audience.Through the analysis and research, this article conclusion thatthe foreign at the beginning of the20th century and is the subject ofthe conclusion theatre as a special kind of social phenomenon atthat time.It is the need of the social change,and is also the needs ofthe development of drama.This phenomenon has a great influenceon social culture at that time.This kind of social phenomenon andthe result of accepting foreign culture has extremely significanceto the society.Foreign drama or other cultural theme, cannot be inthe presence of social society most people accept, need to gothrough continuous localization, along with the social change, andpeople with respect to the manner of art appreciation, audiencegradually form, content and form have to consider the audienceneed and accept ability.The social give drama too much politicalmission.This will affect the feasibility of drama performances,andto achieve the purpose of the creator.Starting from the mostacceptable level, recreation, universal participation, easy to form,create the performance form of social needs.Drama form is notfixed even less of a particular carrier.Some ideas about in anydrama are just a means of expressing ideas and methods.