Talking About The Relation Between The Background And The Characters Of The China Figure Painting

Chinese figure painting is accompanied by common human social and culturaldevelopment, and early on the value of human life above all else, on the side of theenvironment is also a lack of awareness, while painting for a long time are mostly reflected inhuman beings, the screen the "context" is simply a decorative pattern to appear. Based onfully affirmed the "background" role in the foundation of Chinese figure painting, summaryand analysis of traditional and modern features portraits of the characters and the backgroundprocessing and deep analysis from various religious, philosophical, political, military,economic and other the formation of these features. For example, one of the Five Dynastiesand Song Dynasty China attaches great importance to the history of painting a few times, avariety of subjects during the painting has a certain development, but also to achieve theperfect fusion of portraits of people and backgrounds. Song Dynasty style fine rigorous,realistic and yet both workers caused charm, enriching the performance characteristics of thecharacters and backgrounds; Ming Dynasty Song is a continuation of painting portraits, andmore emphasis on the expression of subjective emotion. Through clever screen backgroundand white cloth inscribed subjective emotional expression style charm, and gradually formedits own national language of painting features. To the modern figure painting in the "background " has been symbolic, schematized become part of the screen language.In this article, traditional and modern portraits in the "background" of treatment incontrast to the traditional Chinese figure painting to describe the different characters andbackgrounds by processing time, the different scenes and the scenes constitute a segmentedpicture, but without losing the overall picture of a unified form screen cavalier perspectivecharacteristics. Handling characteristics of modern portraits of people with backgrounds fromthe traditional left blank in the habit of pursuing full screen full of characters and backgrounddeconstruction, layers, restructuring and other ways to enhance contrast of the screen,resulting in a new sense of order. Thus, the artist also focus on a reasonable basis for theintegration of traditional and modern elements seek to innovate and seek creative source in practice. In comparison, while there are similarities, there are differences in place,namely the traditional figure painter deeply influenced by traditional philosophy, moreemphasis on mood expressing the screen background. Finally, this paper summarizes therelationship between the characters and the background portraits rapport, embodied in fouraspects: First, since the traditional and the modern in the portraits have appeared outstandingworks of art, we must comply with unquestionable relationship between the characters andthe background the development of the law, otherwise we lose the essence of portraits;second, reasonable blend, focussed on the scene, the artist has his own emotional experience,character and background by processing pass out their feelings and intentions; third, payattention to China traditional culture, painter to learn more about Chinese traditional culture,experience the charm of the traditional figure painting, which may make greaterachievements of modern portraits; fourth, we must attach importance to the use of pen andink, pen and ink rendered background, color, image, and reflected on the screen of artisticsense also plays a vital role.