The New Exploration On Sun Deqian’s Liu Chao Li Zhi

Sun Deqian’s Liu Chao Li Zhi is the first theory monographs in literary about the LyiouDynasty Pienwen creation,criticism for the characteristics of the Lyiou Dynasty Pienwen, artisticfeatures as well as the writers. In this article, combined with the Lyiou Dynasty Pienwen creationpractice,exploring the theoretical connotation of it in-depth, make us have a deeper knowledge ofLyiou Dynasty Pienwen, rich in the Lyiou Dynasty literature research field of vision, at the sametime can be more in-depth understanding of Pienwen. Based on the introduction of the researchsituation of Liu Chao Li Zhi and illustrates its significance and value in the Lyiou Dynasty Pienwenresearch, the text is composed of four chapters:The first chapter discusses Sun Deqian’s understanding of Lyiou Dynasty and Pienwen. Thefirst quarter points out that " Lyiou Dynasty "doesn’t including Han Wei Jin,it refers the South andNorth dynasty. Which is the development of Pienwen by stereotypes to flourishing period, is themost important period can reflect the achievements of Pienwen, and this view basic on Sun Deqian’sclaim that " the Lyiou Dynasty was an epoch of Pienwen". The second quarter summed up SunDeqian’s understanding of prose style characteristics is rhetorical, dual in nature, the significances ofslow, a vivid description of characters. The concept of Pienwen is inseparable with his awareness ofthe Lyiou Dynasty Pienwen characteristics. The third quarter of "the style and application of LyiouDynasty Pienwen ",first make a interpretation to Sun Deqian theories" three styles "and"four styles,"indicate that Sun Deqian also attaches great importance to the diversity of Lyiou Dynasty Pienwenstyle. Second,indicate Sun Deqian’s discusses about the application of the Lyiou Dynasty Pienwen,he thinks Pienwen can also express freely like classical prose, so don’t take writers’ disadvantages asthat of founctions’.The second chapter discusses the Sun Deqian’s understanding of Lyiou Dynasty Pienwencreation technique, including the "use of allusions","use of words","methods of writing" threequarters. Section one"use of allusions" is discusses the use of allusions and language standardapplication situations in Lyiou Dynasty Pienwen, points out the Lyiou Dynasty Pienwen isconcentrated and fresh in allusions because of the fashion."Use of words" in the second quartergives a description of xu-zi and dai-zi in the Lyiou Dynasty Pienwen, points out the Lyiou DynastyPienwen language pursue the embellishments in writing, the characteristics of the novel. The thirdquarter analysis the symmetry and the parallel art of Pienwen, techniques of metaphor and foil, andother opening and closing techniques of articles, which shows the Sun Deqian’s profoundunderstanding of the Lyiou Dynasty Pienwen creation techniques.The third chapter discusses Sun Deqian’s academic background, is divided into two sections. The first quarter describes the influences that from Wen Xin Diao Long, think Sun Deqian’sdefinition,developing history and stylistics about Pienwen are influenced by Wen Xin Diao Long,which is the inheritance and development of Liu xie’s view. The second quarter talks about PengZhaosun Wen Chao of the North and South dynasty, Li Zhaoluo PianTi Wen Chao, Zhu Yixin WuXietang answered questions, Wang Xianqian The Collection on Parallel prose, discusses SunDeqian to these works of prose theory reference and absorption, explain Sun Deqian’s idea about theformation and evolution of "qi" in Pienwen, and explains "qi" from Yin rou,Qiu lian,Shen yun thesethree aspects.The fourth chapter is about Liu Chao Li Zhi on the Lyiou Dynasty Pienwen writer’s comments.Section one "the analysis of Zhang Rong Pienwen style" points out Sun Deqian admires Zhang Rong"Qing bian" characteristic, because of it different from the prose tendency since Song Qi gorgeousstyle, it shows Sun Deqian values San in Pienwen. The second quarter through the analysis of Jiangyan and BaoZhao Pienwen origin, think BaoZhao pure from rhyme prose, and his Pienwen inaddition to determining the rhyme, also affected by the Qu-Song ci-fu and wei-jin articles, so to SunDeqian standard of criticism, he is more appreciates Jiang yan’s Pienwen. The third quarter,"thedisscuss on Xu-Yu and Ren-Shen",is pointed out that Sun Deqian apprecites Ren-Shen, becauseRen-Shen is more natural than Xu-Yu in the use of allusions and the application of sentence patterns.