China Contemporary Oil Painting"Defamiliarization" Research

On the "strange", it is the aesthetic theory from the twentieth Century Russian formalism co-founder J Koslowski proposed, its connotation is the depiction of the strange, the Defamiliarization processing, aesthetic time to extend the audience, thus to wake up from a state of numbness, to know the world. In literary creation as it is that there is an important means of painting, as a visual art,"Defamiliarization" being more strangeness bring visually.In Chinese painting history, since the reform and opening up, especially the "85trendy art" movement, great changes have taken place in China painting, western modern art as a strong voice in Chinese, oil companies are China start learning and western modern art journey, painting show different in the form of this period, the copy of Western painting style and the style, the "defamiliarization". Time to90years, artists are no longer blindly copy the western art, but through their own experience to reflect real life, the traditional skills objective representation of reality has become the past, they through various language focus on the present, focus on the people’s living condition and living environment, in the hit of all these factors, there are a large number of the artist’s work shows a surreal, anti traditional, anti normal visual experience of "Defamiliarization" trend.The thesis is mainly divided into:"Defamiliarization" aesthetic theory,"strange" and Chinese contemporary oil painting, Chinese contemporary oil painting "Defamiliarization" approach,"strange" to Chinese contemporary oil painting’s value and enlightenment, the four part."Defamiliarization" aesthetic theory, describes the "Defamiliarization" theory, mainly defines the painting in the "strange" and the western modern painting of the perfect performance, based on the analyses of the creators and recipients of "Defamiliarization"; the second part and the third part is the key chapter of paper "Defamiliarization", in the contemporary oil paintings and China, mainly from two aspects:1in order to "China oil painting history" as the original data according to the time, carding, analysis of the development of "Defamiliarization" in China contemporary oil painting in2, mainly elaborates the two reasons Chinese contemporary oil painting "Defamiliarization", in the realization of China contemporary oil painting "Defamiliarization", mainly from five aspects, the Chinese contemporary the most "Defamiliarization" representative works of analysis and study; the fourth part, through the research before, trying to find the value of "Defamiliarization" on China contemporary oil painting and its inspiration. The four part form "Theory-Performance-to achieve a complete argument--Revelation".Chinese contemporary oil painting "strange" phenomenon can not be ignored, it records from twentieth Century80time metaphase, China artists in a strange art to reflect on the current understanding of social reality, which is study has certain significance in the development and present Chinese contemporary oil painting.