Research On The Plastic Arts Of Inner Mongolia Ujimqin Saddle

As the Mongolian horse loves horses and good decoration, so the Mongols attach great importance to harness ancient times, especially in the saddle material selection, modeling styles, colors and craft techniques. A pair of durable and beautiful saddle demonstrated not only the Mongols good decorative nature, but also shows the Mongols artistic talent and aesthetic appeal, it can be said is largely a collection of Mongolian history and human feelings. This paper is to describe the historical development of the Mongolian saddles, saddle unique process for ujimqin heritage, demonstrating blend of cultural heritage in northern China steppe nomads and processes between different ethnic groups, and on this basis, the formation of the Mongolian horse culture characteristics. I think Mongolia Mongolian ethnic handicrafts in the saddle as the most representative one, about the ethnic Mongolians on horseback with this horse, saddle special emotion, demonstrating the production of Mongolian saddle with both practical and artistic beauty of the double function, and its saddle crafted unite details embody the wisdom and ingenuity of the Mongols, the nomadic people of the northern part of China Mongolian steppe culture exhibited by the charm of art from this perspective more knowledge and understanding.Based on the Inner ujimqin saddle craftsmanship fieldwork, detailed record of the production process and the heritage of local Mongolian saddle, and from the following aspects to be discussed specific:In the introduction, the author of significance of the topic of study, research methods and research status expounded his views; in the first part, the author of the history and development of the Mongolian saddle type combs; in the second part, the author based on the Inner ujimqin saddle production techniques fieldwork materials, a detailed record of the Mongolian saddle ujimqin craft production process, and conducted and summarized its styling features; third part is based on field survey, based on the saddle ujimqin unique morphology analysis to explore its cultural connotation; last part, it is based on current development in Inner Mongolia ujimqin saddle, especially to reflect its situation craft heritage and showcase the author forward-looking and constructive thinking, purpose through the perspective of theoretical research on how to make this traditional national crafts can be duly protected enough in real life to extend their vitality.