Cultivation Of Painting Language Ability And Ascend

The first chapter is the introduction part. The main research background,significance and Research on the content and innovations are introduced.The second chapter briefly introduces the language of painting, and the factorsthat form of painting language are explained and analyzed, lists the painting languagethe meaning of existence, which will have a guiding role in actively cultivating theabilities of painting language.The third chapter from the realistic painting language to the performance of thepainting language and then to abstract painting language be arranged to explore,different paintings have different forms, has a unique painting language, to eliminatethe blindness of learning research.The fourth chapter starts from the painting language cognition, the objectivematerial carrier of painting language, subjective visual elements, the spirit of thepainting language analysis. Luo Dan said "art is emotional, if there is no volume ratio,color science, not sensitive hand, strong emotion and paralysis." Therefore, cultivatingpersonal painting language ability, the need for learning, the need for anatomy of theworks, the painting language deconstruction.The fifth chapter is divided into three aspects of his painting language andlanguage ability are expounded. One, the language of painting his to have their ownthing that individual painting language, has the personalized language cognition andpersonalized drawing language ability to analyze the significance of. In two, after thecollision of Western painting language "his". Starting from the differences betweenChinese and Western painting language, thinking of the collision, and find a newpainting language from which, this process is also the language of painting ability bytraining to enhance the process. Three, how to enhance the ability of painting language? Comprehensive aesthetic ability to enhance the ability of the paintinglanguage meaning.Significance of cultivation and improvement of the sixth chapter of paintinglanguage ability. In the current social impetuous exists as a starting point, to find aplace of my own in this environment, not impetuous don’t be anxious for success. Thecultivation and promotion of ability is we need the excellent heritage and pragmaticstyle, classical tradition of artistic language, enhance personal artistic appreciation andartistic appeal, which is consistent with the ultimate goal of cultivation andimprovement of the painting language ability.The main points are as follows:First, any kind of art has its unique form of expression, painting works is becauseof the special language form of it, is fundamentally different from other art. Form ofpainting language is not the same, it is a painting in the content of the support, is thecarrier of the painter thought, is a comprehensive reflection of a painter personalknowledge and ability and emotion.Second, from the objective material carrier of the drawing language andsubjective visual elements as the breakthrough point, through the analysis of classicalpainting, the painting language deconstruction, to understand the form of paintinglanguage. To cultivate the ability of painting language, personal feel that learning isthe best way. Learning, understanding the painting language form existence, from thepoint of a black and white line, form, texture, color and composition of picturelanguage, the language and other aspects, only master these will be reflected in thepersonal creation.Third, cognition and exploration of painting personalized language. Theunderstanding to the language of painting, painting language, this is not the end, how to form individual painting language is a problem worth thinking.Fourth, since that is the ability of the painting language, must strictly choose tolearn the art of language. A true classic works of art must be settled down, after thechoice of the. Wang Yidong said,"want to remind some impetuous young man,persistence is the root causes of success, be anxious for success even curry favour byclaptrap will be condemned by history. In this change constantly in a utter innocenceis really difficult to keep, but only has such quality, can really find their ownposition." Learning to learn classical art, and create their own language of painting,painting, so we don’t in the long river of history into a sacrifice.So to learn classical painting language, to improve the understanding of thelanguage of painting.The shortcomings of this thesis is, because of the researcher’s own capacityconstraints and data limitations, the paper inevitably there will be many problems.The main shortcomings in this thesis includes the following two aspects: first, thesubjective visual elements of painting language understanding the limitations and thespace limitations, can not fully displayed. Second, because the direction Chinacognitive shallow, not objective, comprehensive for Chinese painting and Westernpainting in painting language to explain the collision.