A Study Of Female Long Sleeve Dance In Han Dynasty

’If you have long sleeves,you’ll be good at dancing;if you have much money,you’ll be good at business.’This sentence is from the beginning of the Spring and Autumn and Warring States period. It opened the history of two-thousand-year Chinese ancient Long Sleeve Dance stretches. In long sleeve dance of ancient history, long sleeve dance was particularly good in the Han dynasty and women’s long sleeve dance was a highlight of the show.This paper begins from the perspective of female performing, female long sleeve dance in the context of poem, dance and music,’If dancing, you must dance with your sleeves’in the dance history,and it has further analysis and research. It focuses on the study of pop phenomenon, aesthetic and dance style of the Han Dynasty female long sleeve dance.Research and elaboration of this paper begins from the exploration of the historical origins of the long sleeve dance. Chapter Ⅰ focuses on the origins of the dance long sleeve. According to present material, long sleeve dance began in the Xia, Shang Dynasty, and was popular in Spring and Autumn and Warring States periods.Chapter Ⅱ and chapter Ⅲ is a historical cross-section dimension to research women’s long sleeve dance。They search its popular phenomenon, analyze its main body art characteristic. In the second chapter, the author using the rich historical data, demonstrates female long sleeve dance in the Han Dynasty shows frequent occasions, long sleeve dance is in different forms by using in music and dance drama, women in long sleeve dance is the most popular form of music and dance. In the third chapter, the author has a comprehensive analysis of the Han Dynasty female long sleeve dance forms, respectively from five aspects of clothing, dance, music, special form and skills, ideological and emotional appeal to carefully explore. He summed up the sleeve dance posture "three potential six-stroke","circle" and "line" blend,"" gentle "and" strength "combines dance aesthetic characteristics, analyzed both styles of the ideological and emotional demands of the women’s long sleeve dance:realism emotion--"the sad resentment" the affective tone and romanticism emotion--surmounting and the spiritual pursue which yearned for.This paper from vertical and horizontal aspects is divided into three parts:Han Dynasty long-sleeved dance traceability, Han Dynasty Women’s long-sleeved dance popular phenomenon, Han Dynasty Women’s long-sleeved dance morphology analysis. The full text research direction is from far to near, by and the surface, enters the spot from the surface, the synthesis overlapping, layer upon layer thorough. Perspectives,contents and methods of this paper, especially interdisciplinary integrated study methods of application, We expect this article could make a contribution to Chinese ancient dancing to music history research which is extensive and profound and has a long history.