Defamiliarization Of Stag Performances

Combining with the stage of modern drama\"red rose and white rose\" summary of performance from theory to practice, the text analysis, the character image analysis, the stage has also expounded the action processing brecht "defamiliarization" theory’s influence on the theatrical performance.In this thesis, the article is divided into four most:First, briefly expounds brecht’s theory of "defamiliarization" as well as its relevant theory and practice of stage performance;Second, from the differences of novels and the script, respectively from the plot, character set, narrative Angle of view, detail processing, the respect such as theme metaphor analysis drama "red rose and white rose" defamiliarization characteristics.Third, parsing, wang jiao-ru character and the character of the main characters and other relations.Forth,from language, body movements, emotional psychological defamiliarization discusses wang jiao-ru stage characteristics of defamiliarization in action."Defamiliarization" to the requirement of the actor and the character, we should maintain a certain distance, not as "experience" totally immersed in the role of emotion, to keep the identity of the "third party" to look at their own performance and the character image, finally able to rationally analyze and judge the audience the drama story is happening on the stage.