Brecht Theater Theory Research

Bertolt Brecht(1898-1956)is a famous dramatist in Germany,who has made a significant impact on the world of Chinese opera in China after Ibsen and Constantine Stanislavsky.Brecht has not only created a great number of plays,but also puts forward a set of traditional theatre theory,created the epic theater mode,broke the Aristotelian theater aesthetics,known as the enlightenment of contemporary "education theatre".Brecht theatre theory proposed the defamiliarization is the most prominent achievements in technique of expression and watch the value of art of theatre,deeply influenced the contemporary theatre performances.Among them,the defamiliarization techniques,also called"alienation",under the influence of Hegel's theory of "alienation",compared with the Russian formalism of defamiliarization,use expression of defamiliarization in practice stage.Viewing art,is relative to the performing arts,emphasizes the audience's perceptions of the drama ability and cognitive level of theater performances.Brecht's theatrical theory is essentially the audience cognition as the leading theatre theory,take the form of theatre defamiliarization,form the alienation,break the stage illusion influence on the audience,in order to achieve the fundamental aim of audience reflection for social reform.In addition,this paper discusses Brecht theatre theory,of its social critical function and self-renewal ability allows it to keep up the pace and guide the development of art,with the good people in sichuan a drama performance practices in China as an example,discusses the issue of Brecht type theatre localization of accept,and points out its theory in the process of sinicization of theatre is proper,improper place,from the point of view of form and content about the impact on Chinese contemporary theatre.