Study On Portraits Of The Late Ming Unadorned Beauty

Late Ming Dynasty antique portraits beautiful art featured in art history playsan important role. The representative of the late Ming portraits mainly Wu Bin,Ding Yunpeng, Cuizi Zhong, shou, etc. These figures painters create outstandingworks has a unique aesthetic character, one of which is unadorned beauty."Social unrest and political reality of the dark background" to make theartist’s political ambitions shifted from paper for art and antique historic wind andthe hearts of many outstanding works of ancient chase hand-tracing, enablingartists mastered the "master of figure painting technique of expression."; figurepainter consciously and unconsciously cultivate a printmaking art style, and thisstyle of art printmaking and development, especially for figure painting scrollpainting arts had a huge impact; late Ming ’unadorned beauty "portraits style isalso the face of routinization of the "Tang style","soft extravagant style ofpainting and calligraphy backwash." Late Ming figure painter can learn bothextensive resources, but also opened the era of distance, choose to use anobjective vision to create a unique aesthetic character of the times. Late MingDynasty unadorned beauty style of artistic expression has on Taoist and Buddhistand historical themes that depict ancient things even choose a good line drawingand printmaking, exaggerated style charm and drapery decorative exhaust stackEmotion, and color of the ancient Yami, Han Ko Ko breath quest, and so on.Late Ming figure painter on artistic creation and heritage, they are more likeartistic creation relatively hard, hard work habits through a master paintingtechniques and hospital body painting, folk art created by the multifaceted blend.The decline of sending so-called Yuan Ming and Qing painting style, this is amost peculiar one. Because it appears suddenly, disappears suddenly, the macroview, their portraits in the history of a very unusual one.