Study On Chinese Painting The Language Of Line

Line as a symbol in itself is an emotional carrier, carrying the " be tolerant to diversity,tolerance is a big" Rhyme and content, the performance artist’s inner feelings is a special wayof sustenance, is also outside the spirit of the artist and the particular mood of self-significantway, as the Northern Song Liu Tao alcohol in the " pilgrimage paintings record" mentioned:"The power of good fortune, creative self." An essential attribute of a linear language thatline. Line in the picture rational arrangement constitutes a corresponding intermittent,balanced, tortuous, density, hardness, length, actual situation, opening and closing,overlapping positive and negative relationships that give the picture a sense of order, a senseof movement and a sense of life. Chinese paintings produced in the relationship between manand nature, society, among the line shape is dominated art of the Tang Dynasty Zhang YanYuan "art history in mind," said:"In the radio who are non-painting ", ancient Chinesepainters and both are online use the unique, the pinnacle.Single line from the original mural depicting the smooth lines Banpo, Majiayao patternpottery, painting on silk unearthed from the Warring States Chu hook line fill color to theHan Dynasty stone, brick lines unadorned portrait Jin Ting from Gu Kai "Goddess "StreamUS Emotion from Sui Qian exhibition ""in the" spring floating clouds, water line to "to"Miss spring Outing with the wind,"the party hard turning, mildly Rouhuan pen to the FiveJing Hao " Kuanglu map " in the complex line style" Cunfa "appears, from the north SongwuZong yuan " Chaoyuan fairy stick figure " script rich in thickness change to li Gonglin paperwith lines no color " line drawing ", Xu Wei Ming Dynasty ink dripping from large freehandbrushwork to create a simple pen Qing Zhu Da impressionistic depiction of the United Statesto establish an abstract form element from the four ink landscape painting program to fourWang Qing Dynasty landscape painting pen and ink very move forward lines are worthy ofour language in terms of the social and cultural context, aesthetic taste, and some traditionalaesthetic and philosophical ideas were discussed, such as research, which the contemporaryheritage of innovation and development of Chinese painting has a positive and far-reachingsignificance.