Writing History Folk Perspective

Historic materials have always been attractive for most writers in the past several years with the development of modern and contemporary Chinese literature history. Whether it is the revolutionary historic fiction of the found of the new country, or in the following new period of the neo-historical fiction, writers could well complete their works, combining their own times with their own standpoints.Moyan, the most active one among those writers in the new period, with his distinctive national character and unique folk view, gains an important position in the literature world. Also, his glow became more shining after he won the Nobel Prize. Recent years, many researchers worked on his folk theories and tried to find out an explanation in his creation, they especially focus on these points, such as his stand-point of the populace, his folk feature in his fictions, est. While they devoted themselves in his viewpoint "be consciously big mark to retreat "to populace, they ignored another key point in his fictions, that is, his distinctive consciousness. Especially in the works, The red sorghum clan, Ample breasts and Buttocks, Penalty Using Sandalwood, Fatigue life and Death, we could see his unique history writing. And we could say that history and populace are two keys for us to study his creation.This text uses "folk theories" for the inside prop, with text analysis, trying to find out how he combined People’stand-point with history writing to make literature and history integrated perfectly.This text is divided into four parts:the first part is the introduction of this article, with the purpose of putting forward the opinion of folk narrative or narration,aiming at working out the meaning of Moyan’s history writing in the disenchantment view.the second part investigates the populace characters in his novels, The red sorghum clan, Ample breasts and Buttocks, Penalty Using Sandalwood, Fatigue life and Death, namely, what kind of folk experience he used to form his distinctive folk character; the third part aims at how his folk view helps history writing make a style or a view point, that is, how to narrate history through populace; the fourth part investigates the meaning and value of history and literature after Moyan brought original text searching and folk elements into history writing.This text explores the meaning and value of Moyan’s creation by deeply analyzing his works after he won the Nobel Prize and became the hot topic with his fictions, hopes this could make a reference to contemporary literature developing.