Image Of Minority Ethnic Movies

From China’s first Ethnic Minorities movie "Hasson and Jiamila," since its inception more than58years of history, is an integral part of the history of Chinese film. In a half century, the nation filmmakers produced78different styles of films, created hundreds of distinctive minority images.Dissemination of minority cultures to promote national unity played an important role. Especially in the early days of special political context:the beginning of liberation of Xinjiang, for most people in the inland, Xinjiang also just a remote, savage, full of exotic features strange land.These films portray the image of the various ethnic groups image of the first in Xinjiang construction. With the market-oriented reform and opening up and the cultural industry, the film’s subject matter and style of Ethnic Minority also produced a great deal of change, minorities image on the screen is not rigidly adhere to the early days of revolutionary fighters, production experts and more diverse from the legendary history of the little people in real life, and many other multi-angle image of Xinjiang Minority Films also expressed in the performance of the production and life of ethnic minorities is more three-dimensional, the impact of modern society grassland.This paper, in chronological order the1955-2011Ethnic Minorities film image analysis. The first chapter introduces the minority movie category defined and Ethnic Minorities in Research of the movie, as well as Xinjiang minority film image as the object of study the causes and significance.Chapter Ⅱ shot1955-1966Xinjiang Minority Film image analysis. This period of time due to the special historical background and political context, the characters have a distinct political ideology mark, whether it is the depiction of love between men and women (Hasson and Jiamila), or describ Uygur famous poet Mutelifu (Distantence Spark) both are with the rebellious spirit of revolutionary fighters, femela against the landlord class and forced marriages, wood Trygve anti-imperialist and anti-feudal revolutionary spirit.The third chapter discusses the1977-2000Minority Film. During this period due to the policy of reform and opening up, China’s film writers and artists get a great deal of creative freedom, Xinjiang Minority Film also in this period ushered in a period of rapid development period. Type of breakthrough has also brought the all-round development of the movie characters. This period a total of43movies of ethnic minorities in Xinjiang," lilac horse " the Kazakh guy Yerhanaty." money, this thing "insatiable Katz wood,"Ailifu and Sainaim "race is a faithful girl to love. These minorities gradually breaking down the image of the "Seventeen Years" period film curing making more different images of ethnic minorities in Xinjiang.Chapter2000-2011, the Xinjiang local film makers are increasingly involved in film production in the minority, making movies of this period the lens at the ordinary people going about the national traditional culture face of modern social discomfort."Beautiful home" stick to the old Kazakh man Hunathai,"Flowers" in order to spread Akon Art grassland towards big cities Kaderjiang,"Shawkaty’s holiday"the local enthusiastic helps from Beijing to Xinjiang singer Tyer. Be profited from the Xinjiang local film people familiar with the national culture and art seem handy portray the image of Ethnic Minority these images more in line with the character of the nation.Minority films of great significance in the development of Chinese film history, Xinjiang, as the largest minority species and a large number of areas, ethnic minorities in Xinjiang movies in the early years because of the special historical background in the whole of China was widely disseminated, the image of the minority for the majority of inland audience by several excellent movie known. But after the reform and opening up, the film market, the reform of the domestic film studios, Tianshan Film Studio because of remoteness, lack of funds, the brain drain, Xinjiang films gradually fade out of the domestic film market. The film mostly funded by the state, on the subject matter and content restrictions may apply, the Xinjiang Film has increasingly become a film shot in Xinjiang locals to watch the movie.