Wang Courtyard In Lingshi County, Shanxi Modeling Of Building Stone

The Wang’s grand courtyard’s architectural stone carving in Lingshi County, Shanxi province is an art form of which blending extensive with Wang’s ethnic group values, thought, emotion and pursuit of life closely related. This paper using widely collect from libraries, bookstores and Web sites while examining and collating relevant historical materials. Using fine art, decorative art, psychology, folklore, history for analysis and research the ideological sources, modeling and modeling function study of the stone carving modeling.This paper researches the ideological sources of the courtyard stone carving modeling from the view of nature, thought, ethics and interpersonal conception. The historical development, social change and the people of secular life of Jingzhong District enriches the architectural stone carving art, and become a microcosm of the whole Wang’s ethnic group society lifestyle. The Wang’s grand courtyard’s architectural stone carving style is strong economic strength of the Wang’s family and a prominent symbol of the social status. It is using the symbols, bold, figurative, abstract and other methods to explain the significance of stone carving style characteristics. It leads to Scene, Balance, Combination, Monomer and such different forms based on this basis points. Stone-carving modeling presents a motive of the Wang’s family to engage in that activity, stone contained functional modeling methods demonstrated its significance, and stone carving modeling constitutes a form of demonstrating their artistic characteristics. The emotional, mental, moral, culture and thinking, and many other content of Wang’s family have been shown through the stone-carving modeling. Through researching of stone carving style of the complex roots of thought, motivation, modeling and constitutes a form of research, it is in order to deduce the functional value.Stone-carving modeling content integration, and then use the visual form of playing its role of art, to deepen the studies of Chinese folk art has significant value. Complex visual content can be intuitive appreciation of stone carving style, but its cultural connotation is more profound content. Therefore, combining Visual and cultural connotation of the art, between viewers and the works of art can achieve a natural communication, integration of state.Construction of the contemporary culture and the traditional path of national development are in the different direction, this makes prosperity of the traditional culture become shriveled, while social temptations of various substances and fashion and culture protection and construction had caused serious disturbance and destruction. For the protection of Wang’s grand courtyard building stone cannot be sealed and isolated it, it need to blend the human and natural environment, and other content around it into them, this is the only way to complete a traditional heritage of cultural preservation. By combining the background of physical, social, cultural and other factors of the grand courtyard’s architectural stone carving, this paper is to present the artistic value and significance of Shanxi merchant private courtyard in the Qing dynasty.