On The Influence Of Song Song Literati Painting Fine Brushwork Bird Development

The viewpoint of literati painting in the Song Dynasty influence on the flower-and-bird painting development, is the main research content. Focusing on the viewpoint of literati painting in the Song Dynasty influence on the flower-and-bird painting development situation, study of the two main literati flower-and-bird painting painters’painting style,while exploring the characteristics product from the viewpoint of literati painting combine with flower-and-bird painting.The Song Dynasty rulers implemented this policy, political rights in control of the literati political,causing the special political and cultural integration.The Song Dynasty scholar-officials involved in painting, forming a unique theory of Chinese painting. Literati painters in the subjects prefer the landscape, flowers and birds, and the character of Taoism, poetry, calligraphy and painting combine the three composition. In the form of performance, the literati painting to performance characteristics of art, in paintings, pour pays great attention to the creator’s subjective emotion. The aesthetic characteristics of literati painting summed up as follows:the poetry as the soul, poetry in the painting, write with the method, calligraphy superb, advocate no color, elegant and quiet, express feelings.The great influence of literati painting of figure painting, landscape painting in the development, but also affects the development of Chinese painting process. The history of the development of literati painting is one of the most important process in the history of Chinese painting, it reflects the Chinese literati and the thought of mental state in each period, painting as a kind of cultural phenomenon carrier. Chinese painting can be divided into three schools:the academy school, literati painting and folk painting. As the flower-and-bird painting a painting in the process of development is bound to be influenced by the viewpoint of literati painting, then changed.This paper divided into three parts:The first part discusses the concept of the literati painting in the Song Dynasty and the development of the flower-and-bird painting in northern and Southern Song Dynasty.The second part, through the analysis of the Song Huizong and Zhao Mengjian two of the painter’s painting ideas and flower-and-bird painting, feel with their thoughts of literati paintings.The third part, from the three aspects of painting function, combination of poetry and painting, creation techniques on Chinese literati painting in Song Dynasty view impact on the development of Chinese painting. Through the above analysis, this paper considers:in the early Northern Song Dynasty Fine Brushwork flower-and-bird painting mainly follows the "huang jia fu gui" of the painting system, rise of literati painting concept promotes the differentiation of the Northern Song Dynasty Fine Brushwork flower-and-bird painting. The early Northern Song dynasty literati painting in the ranks, changed painting team, painting function concept has changed. Free from Han Dynasty and Tang Dynasty, on the political and educational functions, weakening commodity the political dependent and crafts, painting as an elegant aesthetic and entertainment activities to experience the non-utilitarian creation feelings of pleasure, pay attention to express temperament. Literati painting "shi zhong you hua, hua zhong you shi.", affects the flower-and-bird painting form and artistic conception. Literati painting emphasizes the use of pen and ink techniques, Li Gonglin initiated the Baimiao painting to literati painters and court painter painting more abundant, diverse. Decrease color, pay attention to the use of color ink reflect "plain beauty" painting idea, presents the bookish scholars.