The Exhibition As A Laboratory

This article has chosen Hans Ulrich Obrist’s most experienced exhibition theme of idealism to start study his mode of thinking, subject, the exhibition process, reconstruction and the resulting importance of various thoughts with inspiring ideas and bring practical results. In the early period of the history, Hans’s magnificent exhibition of the whole contribution to the independent curator is self-evident. The latter half of the20th century, art history no bnger just the history of art, but an history of exhibition. However, this important historical need for large-scale write. When this period of history and the new professional category consistent with the emergence of curators, the problem appears to be more urgent. Curator and then as the curating and critical study of the object class, combined with the practical tools needed to pay attention to methods. Hans is often considered to be the world’s most important curator who, in his dealing with two triangle modes art-life-political and Studio-Gallery-Art Museum relationship, which reveals the fanatical desire for knowledge, open approach to art bold curatorial approach to the future generations, providing a valuable experience. Centering on contemporary art world and prevailing social conditions, the purpose of this thesis is therefore to provide insight into the emergence of the independent curator, identifying and naming of possible links between developments in the art world. The research question reads as follows:What did the rise of the independent curator in Europe?...