On Ann Hui's Film-making

Ann. Hui is a director which stick to literary creation, Over the years she has been real coolwith their flat lens reflects the mix of society, Recounting the edge of the characters ordinary lifewith Lens full of humane care, from " The Secret "(1979) to " Boat People "（1982），from "Summer Snow "(1994) to "The Way We Are"(2008) and then to " A Simple Life "(2012),Shecreated both artistic and commercial good movies one by one. Ann. Hui, now has become aunique identifier art films, plays a decisive role in the Hong Kong cinema.This paper based on the analysis of Ann. Hui’s film, use of comparative research to explorethe theme of "Drifting with the roots " and analyze the Hong Kong theme of her works to show，by analyzing the image of women in his works to be sent to the humane care Exploration director who these women and the philosophy of life, and analyze the differences Ann. Hui’s filmrealism style established with the former late. Finally, look at the meaning of art film creationAnn. Hui of Hong Kong films. Looking forward to further research on Ann. Hui’s film make amodest contribution.The introduction part first describes the. Ann. Hui’s creation background. Including her ownupbringing and her cultural environment. Then combing her all films in the30years of being inthe movies. we can see the creation of a few peak, At the same time, summarizes the currentresearch status of Ann. Hui film. Due to her diverse cultural background, Ann. Hui in earlywritings often express the theme of "drifting and roots", Home late and Ann. Hui began rooted inHong Kong, the theme of Ann. Hui’s film was mainly discussed in the first chapter. Theprotagonist in Ann. Hui’s film were most for women, The second chapter, according to differentattitude of the women in the face of fate to classify, Analysis of their different choices anddifferent ending, To deduce the Ann. Hui director send to the women’s humanistic care andphilosophy. Throughout the film of the Ann, She insisted on performance on the edge of a worm,Using documentary style of photography to set up the vivid realism. The third chapter explorethe establishment of her realism and the differences before later work presented. And analysis ofHer favourite technique analysis. Finally, from the perspective of macro to describes thecreation of Ann. Hui’s art films in the meaning of Hong Kong films. See Ann. Hui community inHong Kong literature and art to the tide of business, through the analysis of the writing style ofher different from commercial as well as in literature and art films cleverly integrated into thecommercial elements such as creative skills,provide certain reference for the development of Hong Kong art film.