Bayan Musical Style And The Creative Background Of The Sonata No.7

Bayan is a instrument be widely popular in eastern Europe such as Russia,which is deeplyloved by local people and based on the local culture,make a lot of composer and performer,thesepeople make significant impact on bayan,a lot of modern works come out.How better to play thesemodern works need to be more study and explore.Kusyakov is a famous composer in Russia,who make many bayan music works.Threre is adegree of variation in his forty years career,the style of the works,and the grasp of modern worksshould also be caused by the performers’ attention.This article will serve Sonata No.7as an entrypoint,research from Kusyakov practices and internal structure,try to explore how better to performthe bayan modern works.The article can be departed for introduction and three chapters.The introduction addressabout the area of bayan、the style of accordion works and the influence of free bass to bayan.The first chapter come from the music works of Kusyakov as the main content,begin from thelife of Kusyakov,combine with the overall creation of bayan music changes, and discuss thecharacter of Kusyakov bayan works in three periods.The second chapter discuss the creative background of the Sonata No.7,and make acomprehensive work analysis with the sheetmusic. Finally, subtitled "misterium" come work as awhole musical mood.The third chapter can be departed for two parts,the first part make some perform tips onSonata No.7;the second part extend the tips from Sonata No.7to three periods of Kusyakov bayanwork,including the combine of tonality and atonality、how to express the music mood.Sonata No.7is the last work of Kusyakov,it is very valuable for us to explore.For studyingit,we can make great use of playing Kusyakov other works.