Awareness Of The Different Groups Of Rural

Chinese rural film experienced a decline of the brilliant from the fifties and sixties to the eighties.The process of the development of the rural film faces different problems at different times.Since the launching of the "2131Project"Rural film situation has changed.The elaboration of different angles, according to these three groups and the different attitudes of the rural film and analyze the reasons for the differences in cognitive.The first part is the discussion of the managers of rural film, Practitioners is a central link of the contact managers audience, including county-level studios and projection teams.The nature of the work of practitioners is double, First implementation of relevant policies in accordance with the requirements to complete the screening task.Secondly, it is their own means of subsistence for them.Whether it is cinema or projection teams must derive economic benefits.Cultural ambassador for the projectionist.Some projectionist in the most difficult stage of the development of rural film still insist on free films for the people, they are a microcosm of rural development of the film culture in the1980s after the emergence of a lot of moving projectionist story. The audience for the attitude of the rural attitudes about film and the first two groups are different.Concepts and aesthetic taste of the viewing audience, as well as its own feature films will be shown the cause of the rural have a great impact, consumer groups as a film market in rural areas, the rise and fall of rural film plays a key role.During this period, the new farmers’awareness and awareness of the traditional farmers of the rural film have different characteristics.