Research On The "Materialize" Problems Of Ingarden’s Phenome Nological Literary Theory

As a famous phenomenological aesthetician in Poland Ingarden is person whocan defined as our "the most familiar stranger", About their theoretical study has beenmore than30years, however the exploration of the theory as well as the importanceof his theory is still "on the road". This paper attempts to apply the method of"essential intuition" in phenomenology, and around his special "materialize" theoryon literary’s position: critical point in "work center" and "reader center", consider it asa moderate mediator to resolve conflicts between the two extreme theory, not only torecognize the work’s discipline, independence and openness which allowing thereader to "materialize" the text in a reasonable range of diversity,At the same time entitle this potential schematized structure the power to restrictthis diversities, which defines and sets a limit to the consciousness of selfreconstruction of readers, just to maintain the dynamic unified process of the diversityand identity.In addition to further tap the paper tension on the importance of beingignored and intrinsic powerful of literary theory, reveals the transition of"materialize" in literary theory and the meaning of the critical points. From thisperspective, with theoretical thinking patterns to comb theory carefully,moreover asmuch as possible to explore and analyze the "specific" process in-depth, lookingforward to striving to present the "specific" theory clearly and accurately underthe.systematic research and analysis.