Zhang Ding Jiao Mo Landscape Research

JiaoMo landscape as a new category of painting, the earliest can be traced back to the qing dynastyCheng Sui, but in the full sense, Cheng Sui is not a pure JiaoMo landscape painter, because he is thirstylight ink pen. Modern huang painted many JiaoMo landscape of albums, mostly freehand brushwork intraditional Chinese painting, very competitive. The real is Zhang Ding JiaoMo landscape painting to theclimax. JiaoMo this is a kind of traditional painting methods, the outline of the ancients JiaoMo iscommonly used to represent object, or use JiaoMo to striking, and Zhang Dingchun JiaoMo to makelandscape sketches. Make it become a unique landscape painting form, let people shock. Starting in the70sMr Zhang Ding JiaoMo sketch, after nearly30years of practice and exploration, become JiaoMooutstanding representative of the landscape painting. Zhang Ding taihang mountains, the countless timeshis JiaoMo landscape painting, mainly depicting the taihang mountains in the north, with vigorous pen,formed a forthright style of painting. Mr Zhang Ding JiaoMo landscape modelling and heavy ink, strongQiGan. Since the Ming and qing dynasties, Chinese painting and the northern landscape XiongJiang andless hard. And become a gentle, gentle. Mr Zhang Ding from the north, deeper in love with the land to thenorth, and through a large number of field sketch of the northern mountains, the re-emergence of characterof powerful hard northern landscape, aroused XiongJiang the regression of tradition of art. Is of greatsignificance to the development of Chinese landscape painting. Zhang Ding his homeland consciousness,humanity, and personal heroism temperament into his landscape paintings. Zhang Ding JiaoMo landscapepainting in the two aspects of innovation, created a unique personal style JiaoMo landscape painting. Firstis sketching, Zhang Ding JiaoMo landscape painting is sketch as a bridge, Zhang Ding your sketch with thecombination of the traditional landscape painting. Because when he got to the Ming and qing dynasties,because of Chinese painting from life and become more abstract or spiritual. No contact with nature, thebreath of life is more and more weak, no angry, no spiritual. Zhang Ding agreed, however, through thesketch to transform Chinese paintings, and in this respect to do more solid and thorough. Zhang Dingsketch footprints all over the motherland of the great river north and south, through sketching JiaoMopurification, developed to an extreme, thus poses a conundrum for oneself, this problem is to greater efforts. Before the northern song dynasty, the line is the main form, landscape painting Zhang Ding returned to thispath. Zhang Ding JiaoMo forthright and character, the landscape painting of is and what he use JiaoMo andlines are inseparable. Followed by Zhang Ding attitude towards nature is not traditional, but some of thetraditional and western painting techniques to combine, for example, his landscape painting brush is not ahome a pie, but rather to impose CunCa natural object as reference object. Again for instance he apply theperspective method of the newcomer to the sketch, which created their own JiaoMo landscape painting.This paper into four chapters to study Zhang Ding JiaoMo landscape painting: first, to Zhang Ding JiaoMoanalyzes the formation of landscape factors, calculated the formation of its JiaoMo landscape painting arethe major factors of social and political reasons, personal experience, more important is the teacher creature.Second, analyze the concrete works, thus expand Zhang Ding JiaoMo landscape painting brushworkcharacteristics of the study of the evolution, from the outline of Zhang Ding CunCa several aspects analysisJiaoMo works of each period. Third, Zhang Ding JiaoMo analyzes the artistic conception of landscapepainting embodies in the, from the analysis of the specific work: Zhang Ding JiaoMo landscape paintingcontains profound cultural and artistic conception XuanSu pure aesthetic artistic conception. Fourth, themain analysis Zhang Ding JiaoMo landscape painting to modern enlightenment. Through the above severalparts of the research on Zhang Ding JiaoMo landscape painting have a whole understanding. Zhang Dingexploration and achievement of JiaoMo landscape, is the innovation and contribution of Chinese landscapepainting, make landscape painting pen and ink form more rich. Zhang Ding JiaoMo landscape, though notbegan, but Zhang Ding deep exploration of JiaoMo landscape dynamics is unprecedented, his JiaoMolandscape is presented to the audience in the form of large murals, Zhang Ding JiaoMo landscape is amarvel of the20th century Chinese fine arts. Is worthy of our attention to study and field of study.