Research And Thinking Of Female "Shanhaiching" Ghosts And Gods

"Many image shanhaiching" in can see in today’s film and television animation, illustration. But the description and the "shanhaiching" in the text to do a comparison, I found that whether the appearance or the divine power, be quite different with the original. For example, the image of Nu Wa, most people see is the person of a serpent, but the "shanhaiching" recorded in the "man head and snake body";"the queen mother of the west", we are not many of today’s TV described is the Jade Emperor’s wife, but "Peng fa Hoopoe women";"Jingwei" originally is not an image, she is a representative of the group life and growth in nature; and the "Fox" actually can be male. It is these changes, the achievements of our rich traditional culture, it has so many myths and legends.In many of the ghosts and gods, ghosts and gods is female big change. Compared to the "punishment","Gu", God, and "Ying Zhao","fire" and other animal."Goddess","Queen Mother of the west","Jingwei" and sc on female ghosts experienced by the matriarchal society to the patriarchal society, by independent God to the dual God, even gradually fade out female gods, ghosts and gods are more affected by the development of the society. Status of female ghosts in Chinese culture also decreased with the status of women affected by female ghosts and gods, in Chinese culture meaning has changed, from the original to pray for peace, harvest, breeding, to beauty, as well as the present generation of motherhood in the ideal world of spiritual sustenance for today. In the image, but also because humans have come to realize that their own strength and lost the phenomena of nature worship, animal and plant, makes many of the ghosts and gods in the process of development,"part, more and more people","some more and animal" less, until it disappeared.These changes, and today, there is the inspiration significance. Nan Huaijin in the "Analects" book "revolution", he said "there is no ’life’, not ’revolution’." To mean "revolution", we must first make clear what is "life". The innovation of Chinese traditional culture and carry forward, make clear what is the Chinese traditional culture is very important. So, this paper want to female image through the study of "shanhaiching" in the show, from the initial "shanhaiching" image to our life today’s film and television animation, illustration, changes in the work, to clarify my view: Chinese traditional culture is in continuation of the historical evolution of culture, but these can pass, to the descendants of influence is not decided by some factors, but the culture is rooted in life, only those who accompany our life and the development of cultural heritage, is the essence of Chinese traditional culture, and therefore more vitality.