An Interpretation Of The Causes Of Women As Narrative Subjects In Korean Ghost

Based on the analysis of the Korean Ghost film sort out the context of the development and characteristics, focusing on exploring the reasons for women to become the leader of the film. By52Korean Ghost film text analysis, I found the most distinctive feature of the film is the female as main body, the main purpose of ghost wandering in the world is to revenge, and the theme come from social reality. The Korean society is core family-based, in family, in workplace, women are not in the right center, they were marginalized, materialized, become bullies. However, in the ghost film female as the main narrative, breaking the old tradition of male heroism, by super powers, so that the original weak woman became the center of power, by super ability her manipulate the rules of the game, the public should submit to this rule,otherwise, she will punished them.In the Korea ghost film women as the main narrative, highlighting women’s right in the fictional images, women are constructed the dominated in the right. Film and reality are often echoed, This arrangement in the ghost film anaphoric Korean social reality. Living Confucian cultural background of Korean society, to comply with the strict rules of propriety, a clear division of labor between men and women, carry out their duties. Such traditional gender culture from time to time to permeates every corner of daily life, family and school education a reinforcing this identity, at the same time, women are always under public hidden surveillance,"punishment" for their deterrent. In a country gender status is unequal, traditional Korean nationality "hate" easy in women fermentation.Ghost film are important component part of popular culture,comply with the logic of cultural production, to obtain profits for the purpose, by making the screen spectacle, get the audience’s visual gaze, so that viewers get visual pleasure. Under the consumer society, through the consumption of the female body, businesses and consumers to complete a visual carnival. In reality, the country dominated by men the right to establish and maintain its dominant ideology of male supremacy, by men "hegemonic" temperament to "conspiracy" transformational qualities, subtle implanted idea in Ghost film by environment.At the same time, as an important component of international communication, go to the world, ghost film together with the drama. Shaping the country’s image as a constituent part of a portfolio, to reflect the characteristics of the Korean Horror, compete with other countries., Ghost in the integration of ethnic and cultural traditions, formed its own characteristics, shaping Korean horror aesthetics. This design is very successful for Korean Horror, fear the rise of the short-term Korea swept the international market, a strong wave of Korean, swept the world again.