The Research Of Color Language Of Freehand Oil Painting

The essence of freehand oil painting is to explore the integration of Chinese and Western art. Oil painting influences the world with its rich artistic expression since born. With western concept and skills of rationality、science and humanities, oil painting becomes more rich and colorful during its collision and fusion with other cultural context, knowledge structure and taste level around the world. Since20th century, Chinese artists began trying to merge the style of China and west. One way is to change Chinese art with the western realism, which is represented by Xu Beihong, The other way is to combine western modernist painting with China ink painting by Lin Fengmian. Both ways aimed to solve this problem:how to combine painting language and technique with the Oriental aesthetic personality, in order to keep the long-term development of China painting art? This paper takes the color language of freehand oil painting as the breakthrough point, with some case studies of China contemporary freehand oil painting works, in order to explore rich expressiveness and profound meaning of freehand oil painting’s color language, so as to bring up proper color taste and values. There are five parts in this paper:1. Introduction:study background and research reason.2. Related concepts:the definition of freehand oil painting, color language and the features of color language.3. The discussion on the color language practice of freehand oil painting, including the practice method and process of color language and case studies.4. The current situation of the development of freehand oil painting, including its development and trend, problems and thinking, the future and prospect;5. Conclusion of the above parts.