"Integration" And "Symbiosis"-traditional Patterns Into Modern Design

Tang ’s gorgeous scene, Dunhuang murals deep pride, blue and white porcelainend Zhuangqing Yi, the map will intentionally, Italy will be auspicious Ming patternsin our long history has left a rich sum, to date, I can still see a lot of books literaturepraise for China ’s ancient civilization and marvel, but since the20th century, Chinais experiencing a great and profound changes, in this as the core of the open era, theintroduction of advanced Western culture and technology Meanwhile, modern designwith traditional pattern does not seem to be well above appear in the same track. Withthe rise of China’s wind, flooding the local language, the blind use of traditionalpatterns will destroy the beauty of the design pattern, not to highlight the outstandingnational characteristics, this article is based on the status quo under the traditionalauspicious patterns in modern design carried out in the use of deep-seated explore.During the course of this study, this paper from the traditional auspicious patternsof development, evolution, and its integration in the modern design reasons, analyzesof modern design in the traditional auspicious patterns exist reasonable and necessary,and secondly from different angle analysis of the traditional auspicious patterns inmodern design forms, and a combination of specific design case, hoping to find thetraditional auspicious patterns blend into modern design best practices. Finally, forthe future of modern design with traditional Chinese development direction and trendsare put forward.