The Musical Analysis Of In Croce Written By Gubaidulina

Sofia Asgatovna Gubaidulina,1931-, Russian composer of tatar descent, is one of the world’s mostfamous composers of the20th century, is also an orthodox christians. With her in her works of religiousdevotion, often through the different forms of music performance with a religious symbolic symbols, suchas "croce","angel","chant" and so on.This article is about Gubaidulina’In croce chamber music works of creation techniques and analysis inthe structure of "croce". Full text is divided into three chapters, the first chapter introduces the social andcultural background, Gubaidulina’s art road works and the In croce made a simple analysis of the structure.The second chapter is In croce used in the creation technique has carried on the detailed analysis, includingthe structural layout of the three principles, chords and traditional mode, traditional music developmenttechnique, core pitch materials, the use of differential sound, uncertainty characteristics, ingenious structuredesign, longitudinal density and sound plexus, etc. The third chapter sums up the concept of the druidreligion of Gubaidulina,"croce" of music composition, the symbolic meaning of the cross and crosstechnique used in other works.Cross is the ancient worship of religious belief in music Gubaidulina unique technique, structure of"croce" landmark symbolic significance in his composition, is the composer of religious beliefs and thecreation of the combining site. Also from the beginning of this work,Gubaidulina started the "croce"technique in many of her works, so as to form its unique music language.