Comparative Study Of Philosophical Thinking Way Between Classical Painsting Of Western Renaissance And Literatis’s Painting Of Song And Ming Dynasty

From the synchronic perspective, the perspective of western philosophy to the Renaissance classical oil painting, and a comparative study of Chinese literati painting during the song and yuan period, western painting in a rational, objective, scientific, under the guidance of dialectical thinking, the theme is concentrated in figure painting, and express the object of subject-object dichotomy completely as an object for performance; And because Chinese painting in the unity of nature and thinking mode, push the landscape painting to peak, placed in the scene, the individual will dissolve into landscape, one integrated mass. Look from the presentation, the traditional Chinese painting after is the image of the communion between subject and object space, the western classical painting pursue reality space vivid imagination.Since Chinese and western philosophy and the blend of Chinese and western painting, about research by the differences between Chinese and western philosophy, and paintings have already become the hot topic which the enduring, but are mostly from the thinking of western philosophy history, geography and so on in the background to explore the difference between Chinese and western philosophy, or the Chinese and western philosophy as one of the reasons to study the differences between Chinese and western painting, painting or from the perspective of Chinese and western philosophy research space, behavior, or the color difference, the comparative study of Chinese and western traditional painting subject matter and its presentation, there are many scholars both at home and abroad research achievements, this article in combing, on the basis of former research results, based on the theory of Chinese and western philosophical thinking, in Chinese and western classical painting subjects and its performance way to compare the objects, from the Angle of problem consciousness, through to the Chinese and western classical painting aesthetic perspective, choice of subject matter, the respect such as expression comparison and research, reveals the aesthetic connotation of Chinese and western classical painting different and the way of thinkingElaborate the content of the article is divided into four parts, about the same time the Chinese and western painting deeply analyzed and the comparison of the scientific and rational, changing painting philosophy thinking mode, broadening the creation of novel perspective and innovation intrinsic aesthetic purport of painting.First, the introduction part, mainly from the selected topic research present situation and the method and the paper elaborates the research purpose and meaning of two parts.Second, as the premise of Chinese and western painting philosophy thinkingThird, the western Renaissance and the way of Chinese painting subjects and its performance during the song and yuan period of turningFourth, the characters of Chinese and western painting space perspective of several different factors.