A Theoretical Study Onthe Relationship Between Subjectand Object In Renjian Cihua

Renjian Cihua is an influential literary theory work in the history of Chinese literature.It is emergence has epoch-making significance.Wang Guowei studied the western philosophy and aesthetic theory systematically in Dongwen society.The dichotomy of subject and object,as a basic mode in western philosophy,has a profound impact on it,and also laid a theoretical foundation for the Renjian Cihua.Wang Guowei integrated the traditional Chinese philosophy of "the unity of man and nature" into the theoretical framework of the relationship between subject and object in the west,thus forming a new research model of Chinese literature.This new research perspective breaks through the evaluation system of traditional lexicology and opens up a new research perspective.At the same time,Wang Guowei did not refuse to reject but actively inherited the classical theory of Chinese traditional aesthetics.Renjian Cihua drew on the ideas of Canglang Shihua,Wenxindiaolong and other works for reference,so as to realize the modern transformation of traditional literary theory.As two parts of literary activities,subject and object have always been one of the core issues in literary theory research.From the theory of subject object dichotomy,this paper systematically explains the Renjian Cihua,analyzes the subject theory and object theory of Renjian Cihua,and restores and reveals the new concept of Wang Guowei's literary theory.From the perspective of subject theory,the Renjian Cihua puts forward the creation ways of "inside" and "beyond",explains the three realms in the creation process,pays attention to the influence of the author's pattern on the literary activities,inherits the theory of the unity of man and nature,absorbs the western humanism spirit,borrows the "genius theory" of Kant,Nietzsche,etc.,and improves the "childlike mind" ”The view of literature.From the perspective of object theory,Wang Guowei put forward two creative viewpoints of "creating environment" and "writing environment",attached importance to the influence of the objective world on the text world,and found the connection and difference between the text world and the objective world.At the same time,Wang Guowei did not separate the subject and object completely,absorbed the dichotomy of subject and object,analyzed the concept of traditional Chinese literary theory with the theory of subject-object relationship,and pointed out that although "Jing" and "Qing" are two different aspects in the process of creation,they present a "face of blending feelings and scenes" in the process of creation and practice.Both the objective "Scene" and the subjective "feeling" are the results of human spiritual activities.For the first time in the history of Chinese literary criticism,Wang Guowei raised the questions of "creating and writing environment","ideal" and "realistic".These problems specifically and clearly reveal the special contradictions within the realm of art,and illustrate the essential characteristics of literature and art.The study of Renjian Cihua from the theory of subject object relationship provides a new reference for the study and analysis of Wang Guowei's aesthetic theory,which has practical significance.This research method breaks through the metaphysical,either or binary opposition,and regards subject and object as an interdependent and dialectical relationship.From the perspective of subject and object,the study of Renjian Cihua can better rethink Wang Guowei's thought of literary theory,which has certain enlightenment significance for understanding some practical problems in contemporary aesthetics and the construction of contemporary literary theory.