Public Sculpture Marerial "Expression" And Space

Public sculpture history can be said to be a public sculpture materials on public sculpture art history, certainly cannot do without discussion on this topic material. Different material properties in space, showing a different "expression" feature. Research on material aesthetics public sculpture is being carried out, however, research on material is not isolated machinery, requires a combination of artist’s emotion, themes, modeling language and space environment of these factors on the presentation of the work. With the progress of science and technology, expression and device of public sculpture has many possibilities, more special material was used in the creation of art, and to explore the research also cannot do without new material and post processing. This paper attempts to study and comparison, combing the development of material, thus summarized the property and classification of material, and then analyze the material elements of the "expression" and read the materials and different space combination of classic works. The artists the value and significance of a more comprehensive and profound understanding of sculpture materials in the use of the language of sculpture, let as material, more reflect the unique characteristics of the times and ecological features, full of new artistic charm, achieve more powerful social function, the use of advanced scientific and technological means digging breakthrough sculpture, the sculpture art we are freshmen in the material itself and in the release and expression of creative. Methods from the micro perspective of the material and some processing work of art and space in this paper. The artist relations works better and space, and the actual environment regional characteristics, public choice and social acceptance to create better works. This paper attempts to discuss the main by definition, inductive method, comparative method, image method, this kind of material. Conclusion in the future, I hope this thinking can give in to enter public art artist in some valuable reference.