Theory Of The Confucian Music Aesthetics Thought Of "Neutral Izat Ion" Influence On The Tang Dynasty Pipa Art Culture

Chinese traditional music culture is an important part of human culture history,Confucian music aesthetics thought of "neutralization" of the tang dynasty music artculture and influence of Chinese traditional music culture. Pipa art has experienced along history of more than two thousand years, adhering to the traditional Chinesemusic esthetics thought and the spirit of the Chinese traditional culture as a whole, itsgeneration, development and evolution of formed the unique culture of the pipa, andare influenced by traditional Chinese Confucianism "and" music aesthetic ideas. Tangdynasty pipa music score less, for study "and" for the influence of the tang dynasty,pipa music form extremely challenging. This article through the analysis of theConfucian "and" music aesthetic thoughts of tang dynasty pipa art and culture, theinfluence of the aesthetic phenomenon in China traditional culture system to study,focuses on the tang dynasty pipa in the localization process of Chinese traditionalculture characteristics, the characteristics and influenced by Confucian musicaesthetics thought of "neutralization".The full text is divided into four chapters: the first chapter is introduction part,this paper introduces the domestic research status, the pipa art paper selected topicsignificance. The second chapter, the basic connotation of Confucian music thought of"neutralization", concisely discusses the including; The content of the musicperformance: without her, cry without harming the; The form of music: and withdifferent, TongZeBuJi; Music form and content of the highest aesthetic standards andthe three problems. The third chapter expounds the Confucian "and" music thoughtsinfluence on tang dynasty pipa art culture is given priority to, first of all, conciselydiscusses the Confucian music thought of "neutralization" of the culture of the tangdynasty music major effect, this effect under the multicultural "and--and--and";Emotional expression and the height of the social and political ideal coordination oftwo aspects. Next to the Confucian music aesthetics thought of "neutralization" under the influence of the basic characteristics of the tang dynasty pipa art culture isgiven priority to, it is concluded that the three basic characteristics: multiculturalinclusive,"technology" of "tao". Finally, based on the description of the tang poetry inthe tang dynasty pipa art related to see the embodiment of Confucian "and" musicthoughts, including the performance of xingshenjianbei, the actual situation of artisticconception, circumlocutory emotional three aspects.