Analysis Of Qiandongnan Miao Fish Graphic Language

Miao is a nation without their own words, recorded by embroidery decoration history, culture, social change and religion of the nation. Fish Hmong ornamentation ornamentation is fairly representative of the kind, it is closely related to the Miao People living hunting and fishing, which is entrusted with the Hmong people of good wishes for life. This paper is based on Miao and Yu Wen graphic language analysis, graphics, graphic design refers to the concept inherent in the use of formal language and the language contained below. The purpose graphic language analysis is to solve the semantic connotation of graphical symbols and symbol combinations. Miao fish patterns for the study, by the shape of fish, structure, composition, color, style characteristics analysis, to dig out the Miao Yu Wen patterns constitute law and modeling features, Provided in the form of part of modern graphic design. It also adds a variety of moral connotations color Hmong culture.Miao Yu Wen pattern as the focus of this thesis research, research content is mainly from the following aspects Expand: First, an overview of the historical and cultural background of the Hmong, elaborated under the Hmong geographical and cultural customs of the situation of fish culture production. That original reproductive worship, totem worship and nature worship. With the Later Han cultural blend, fish symbolic change, together or in combination with other biological metaphorical auspicious wealth, shape or anti-sense meaning evil spirits, or homophonic expression of peace auspicious and so on. Second, the summary Miao Yu Wen graphic forms in paper cutting, batik, silver, buildings and inherent moral connotation. Third, the analysis of the Miao Yu Wen alone and in combination styling. First use of point, line and surface basic elements for a separate Yu Wen namely scales, fish, fish, fish eye summarized in detail, And repeating, symmetry, reflection and contrast constitute a detailed classification, re-analysis modeling features on the Miao Yu Wen combination that is abstract modeling, complex modeling and multidimensional modeling casual sense of space, and Yu Wen produced the show alone in pattern layout the Miao people’s unique aesthetic sense and aesthetic concepts. Fourth: By comparing the Miao and Han Yu Wen Yu Wen graphic pattern analysis, summed up the Han Miao Yu Wen Yu Wen and the implication in the shape and the similarities and differences, helps demonstrate the unique shape of the Hmong culture and way. And then presented to the Hmong cultural heritage and protection of fish.