The Research On The Myth Of Japanese Salvation Anime

Myth is a semiotic double-layer structure system constructed by Roland Barthes. Japanese Salvation Anime is a new type of Japanese anime which created in this paper with the theme of save the world. Though Japanese anime has received extensive attention from the domestic academic and cultural industry in recent year, a unified standard framework and special effective viewpoint for research is still lacking. Thus the paper attempts to research the Myth system of Japanese Salvation Anime from the perspective of semiotic. On the one hand it trying to show the special mechanism about how the Myth provides informations and intervenes to the history by analyses the structure and function of Myth itself. On the other hand, it also wants to make contributions as more as possiple to the constrction of research framework and promote the overall research transforms from phenomenon description to deeper structure study by the attemption of rebuild of the types on medium view and the application of semiotic perspective.This paper is in accordance with the construction of the Myth of Japanese Salvation Anime, the inner structure and function of it and its whole struction and function arrangement. According to the signifier and signified, the paper constructed Japanese Salvation Anime on the calling from existent typing works and the new name’s ability of representation firstly, then builded the Myth structure system of Japanese Salvation Anime followed Barthes’system.The study of inner structure and function is divided into three parts according to the Myth system, what are Form, Meaning and Concept. In the Form part, the paper referenced the Structural morphology method by Propp, summarized the core narrative structure of Japanese Salvation Anime as well Form in codes IAZ↑KF*N(Lâ†'Z)*N SDANU. Then used the Form as syntagmatic, restored the semiotic double-shaft system of Meaning, after that imported to the study of Concept through the distorted Meanings. By the analyse of each paradigmatic and four misplaced binary oppositions, the paper pointed out the Concept of the Myth of Japanese Salvation Anime is the Japanese spirit of salvation, which concludes evil save the world, wars save the world, the strong save the world and Japan save the world. Finally explained the operation mechanism of how can the Myth made Japanese Salvation Anime provides the pure narrative and the artificial added spirit naturally at the same time.For the whole function of the Myth, this paper used the structure and function of the ideology to explain the structure and function of the Myth of Japanese Salvation Anime, which is a kind of ideology as well. Pointed out that the naturalize function and the result of intervenes to the history of Myth is accomplished by a kind of double image relationship between the Myth as an ideology and its audience. Illustrated this two subjects’mutual recognizition, how they droped in a master-slave vortex, and the audience’s fetishistic disavowal in detail In the end, this paper explained how can the capitalists behind Japanese Salvation Anime and its industrial start the chain which convertes the audience’s desire to their own profit and by the same time earned guarantees based on summarizing. Furher puted forward that Japanese Salvation Anime which existing in the communication Ideological Apparatus is in fact a kind of guarantee of reproduction of production relations.