The Collision And Integration Of Confucianism, Buddhism And Taoism In Jade Culture During Han And Tang Dynasty

Chinese jade culture is an important branch of Chinese traditional culture,which has become a subject with extensive attention to research and discover the jade culture. In this paper,the author used the jade culture as the main line,went through the analysis of different functions,ways to use and the main styles of jade to analyze the process of how jade culture is reflected in the collision and the fusion of Confucianism,Buddhism and Taoism during Han and Tang Dynasty.Since the Han Dynasty,Buddhism entered into China,the three theory of the Confucianism,Buddhism and Taoism had competition in communication areas that jade was the art for that carried by realistic objects. It will also bound to be influenced by them.Through the analysis of the style and function of jade in Han and Tang Dynasty,we should know how to teach in the absorption of Taoism and the Warring States period immortal art based,in Han Dynasty from in the mortuary jade,worship jade and jade penetrate “expensive”,asking the immortal thoughts,and by strengthening the religion function of the jade wares,the evil jade and auspicious culture,jade culture in the stroke position. Buddhism through its religious thought and Prajna esthetics,in the jade decoration content and function impact the Confucianism and Taoism original jade culture system. Chinese jade by use of the first play,has been to serve the ruling class,by before the complete collapse of the Han Dynasty to the feudal society,its initiative has mastered in the feudal etiquette of Confucianism into the hands of the rule of the ruling class,so with respect to the painting,poetry and other art forms,jade culture reflected Confucianism,Buddhism and Taoism of the collision and fusion,with lag. Song Dynasty so far,due to the jade culture gradually to the secular. People with the rise of a large number of jade,jade culture embodied in the religious color has weakened,Confucianism,Buddhism and Taoism for the jade culture’s influence to the field of aesthetics.Based on the Taoism as the source of divergent thinking,broaden the source of inspiration for the design thinking; by Confucianism and Taoism reverted to the park to Jane thought source of minimalism design style can be designed for popular harassment of today in the jewelry,bring new design ideas,from Confucianism,Buddhism and aesthetics for the pursuit of the “realm” and the way of expression,giving jewelry more emotion,cognition and thought.By those several design methods as a guide,to divergent thinking,modeling to images as the source,this paper designed and produced two pieces of “Lotus”,“Tang” jewelry and the revert to park,road to Jane’s aesthetic thought of Confucianism and Taoism as a guide,“the answer” and “chaos” two pieces of simple style jewelry,to exit was born as,pursue charm of Confucianism release the pursuit of the highest Taoist aesthetics as a guide,design and production of the “love of traction”,“reads” and “listen to the lotus”,“growth” four pieces of jewelry. The eight pieces of the above works strive to reflect the aesthetic connotation of Confucianism,aims to inherit the aesthetic ideas of Confucianism and Taoism,and integrate them into the jewelry design.