The Girls’ Early Maturity In The World

As the children literature is developing vigorously during new period, the literature concerning girlhood, a special area in children literature, is showing its uniqueness as well. This thesis briefly summarizes the achievements in the specialized children literature field after the 80 s. These achievements contain the innovation of writings and success of the theoretical framework. In addition, based on the existing academic researches, the thesis makes further demonstrations and analysis of Wei Ling’s writing texts about children literature. Using methods applied in psychology, folklore, myth prototype criticism and other subjects, this part concretely unfolds a subtle world where girls experience their spiritual and physical maturity from the aspect of girls’ body consciousness and that of self-consciousness.The thesis also tries to analyze the internal motives of Wei’s literature creating and practicing, and explore girls’ spiritual origin of mysteries of life. To achieve this, the paper studies the literal material expressing affection for girlhood, which is produced by author’s internal psychological mechanism, combining the female conscious nostalgia for the memorable childhood in Chongqing.Moreover, through the introduction of Wei Ling and the maid writer group under her leading, we can analyze Wei’s efforts and actions for modern children’s healthy development with her status of a writer and educator; also, we can analyze the restructuring on children literature in the post-modern times caused by Wei’s literary creation and theoretical construction. Furthermore, this restructuring results in the reappearance of happy childhood.All the contents above is aiming at helping the paper research the current situation of modern girls’ development and discuss how can literature concerning girlhood come to a new high in Chinese literature. The female mental state and the lassies’ are especially positive and bouncy during the progress of the age, leading to the trend of “strong female, weak male” in both sociology and culturology. Of course it proves the fluent expressing of contemporary literature concerning girlhood, but fluency does not mean significance. Being in a natural artistic space, Wei Ling has arisen the brilliance of female by her description, and thus has cultivated the natural spirit of goddess in China to change the situation where Chinese children literature lags far behind the world eco-horizon and naturalism, finally brought Chinese children literature to a unique, high level of thought in the children literature field. Wei’ work records and unfolds many internal and secret emotions hardly known by people, improving the more and more gruff affective state starting from the new period. Wei Ling takes part in children’s instructional practice actively, and the children literature writer “present” makes it clear to us that she will always work for children to guard the garden where the God shepherds.