French Symbolism And The "Mystery" Dimension Of The Initial Chinese Modern Poetry

With large numbers of translations in poetry and poetics of French Symbolism, Chinese Modern Poetry also began to use symbol in its early stage (from 1920s to 1930s). "Mystery" Poetics which is close to poetry and poetics of the French Symbolism had also entered China, with the poets and poetics of China consciously or unconsciously accepting. So, in this stage, there was a phenomenon of "mystifying" in Chinese Modern Poetry,which could be named the "Mystery" Dimension. The emergence of this dimension would cater to the demand which wish to abandon the classical poetry, save the poetry writen in May Fourth Movement from colloquial trap, and get the artistic beauty of poetry back. In fact, theoretical construction and creation of Chinese Modern Poetry indeed had absorbed in it. Therefore, the development of Chinese Modern Poetry had taken a courageous step forward. The main content of this article is combing the relationship between "Mystery" and Poetry, and specifically researching the development path of "Mystery" Dimension in this stage to get the relationship between Chinese Modern Poetry and French Symbolism.This paper consists of Introduction, Body and Conclusion. The main theme of Introduction is to comb the research status, indicating the reasons for the topic, and identify research methods. Body part is divided into three chapters:Chapter One clarify the meaning of "Mystery", carding the common history of "Mystery" and Poetry; Chapter Two clarify the relationship between "Mystery" and "Symbol", combining with the theoretical research and writing practice of French Symbolism; Chapter Three focuses on introducing "Mystery" Dimension of Chinese Modern Poetry in this stage, combining with the performance described in this phase. Conclusion clarifies the relationship between "Mystery" Dimension of Chinese Modern Poetry and French Symbolism to determine their positions in the development of Chinese Modern Poetry.