Research And Innovation Of The Image Of Daosit Thunder Dod’s “ten Grand Marshal"

the Taoism is a native religion of China, is an important part of China’s "soft power". The pursuit of peace, morality, harmonious, goodness and tolerance, health and other characteristics is the fundamental reason for nearly two thousand years after and still has enormous influence and appeal. Study of image art of Taoism is an important part of the research China in the history of art, the art of painting contains a huge economic value.This paper is divided into six chapters to discuss the Taoist Thunder God really ten Grand Marshal image art research and innovation practice. The first chapter introduces and study status quo of the research background; the second chapter analyzes the development historical origin and evolvement of image worship God of thunder; the third chapter focuses on the Taoist Thunder God really ten Grand Marshal image and its contemporary academic research and application value; the fourth chapter case analysis at home and abroad, and other similar cultural and creative products; the fifth chapter puts forward the design ideas, methods and principles of the ten Grand Marshal of the image, and through a combination of theory and practice, exploring and creating a number of ten Grand Marshal image product design; the sixth chapter is the full text summary.This article adopts the method of combining theoretical research and practical application, with plenty of beautiful pictures of Taoism, show the miraculous image features ray department marshal of God, for their time imagery and thought to organize, Shen Xiao Lei Department in order to make the image more clear. Then the artistic innovation of early Taoist image studies used in "ten Grand Marshal" image, to make it more in line with modern taste, can be accepted. The use of contemporary digital art media language, these ideas into the overall promotion of Taoism culture heritage, achieved considerable social benefits and economic benefits in order, and make a contribution to inherit and carry forward the Chinese Taoist art.