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Huizhou Artistic Engravings Of Form And Language Research

Posted on:2016-08-29Degree:MasterType:Thesis
Country:ChinaCandidate:X WangFull Text:PDF
GTID:2285330464471673Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Woodblock in China has a very long history. Han dynasty stone reliefs and portrait bricks is renowned as "stone brick, a ghost with a knife", then prints some of the properties, and then prints it is "paper rubbings." Development and changes of the times, the "printing" movements painting the advent has promoted the rapid development of the industry, but also the development of the woodcut illustrations, print forming stimulus.Woodcut printmaking history, should not neglect the importance of Hui-style prints. Huizhou’s unique geographic, economic, cultural and environmental factors such as Yun Yu hui-style prints unique artistic style, it is the product of the development of Arts and culture in Huizhou, is on this elegant land in Huizhou, painter, engraver, printer and book shops in Huizhou common efforts, through long-term practice, developed a unique form of artistic expression. It originated in the Tang dynasty, grew up in song and Yuan dynasties, and matured in the early years of the Ming dynasty. During the rapid growth of numerous painters and engravers, and was later blessed by the emergence of a large number of masterpieces.With the development of science and technology, China’s printing from "lead and fire" - with wood, mud, woodblock printing type of the times to use computers and laser devices for typesetting and printing of "light and power" of the new age. In such a context, Hui-style prints for dissemination and exchange of information in this part of the property has been ignored, their artistic value has attracted increasing attention. Hui-style prints in the production of exquisite and high artistic value, it not only has historical value, more highly ornamental.Existing specialized study of has been gloriously enrolled printmaking is not much, Wang Bomin China BanHuaShi, zheng zhenduo in the works such as "Chinese ancient art is one" are just using the smaller length to the historical situation, the masterpiece of has been gloriously enrolled engravings etc was introduced in brief. And such as Xu Qing "has been gloriously enrolled prints" in the modern plane design, the application of ", Zhou Wu talk has been gloriously enrolled prints and other academic articles were from a certain Angle to study has been gloriously enrolled prints, few from the artistic engravings of form and language research perspective, in-depth excavation of the related works.My previous research as the theoretical basis, combining on-the-spot investigation of huizhou area, and artistic print this form for system and complete. Research content mainly includes the background of the emergence and development, has been gloriously enrolled has been gloriously enrolled engravings prints the subject categories, such as the content of study, and from the analysis of the has been gloriously enrolled pieces of concrete, the jinling in places such as print compared with has been gloriously enrolled prints, sums up the artistic prints its unique artistic features and language. This can help us to has been gloriously enrolled prints to make a deep understanding, through the artistic prints structure, subject matter, language research, such as to further explore artistic prints the value of extension of the hui culture research scope. By the analysis and research, has been gloriously enrolled prints can be unique charm in front of the world, also can further enrich the spiritual and cultural needs of people, enhancing people’s perception of traditional culture, to enhance people awareness of traditional culture heritage protection and inheritance.
Keywords/Search Tags:Hui-style prints, arts and language, style of art, Inheritance and development
PDF Full Text Request
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