Unconscious Narrative:National Fable In Mo Yan’s Text

Mo Yan is one of the most famous writers in the contemporary literary of China, after the obtained Nobel prize for literature in 2012, his literary achievements moved to a new peak. Mo Yan was born in a deep tradition of Confucian culture and myth traditional culture of Qilu earth, youth also experienced Chinese great political changes and social changes, the unique cultural heritage and rich life experience, so that his writing has a strong artistic vitality. Mo Yan’s text with a variety of narrative style, the narrative is one of the unconscious. Unconscious narrative is a special way of narration, the expression of an idea of the writer was unconscious. Theory of the political unconscious thought,ideology in daily life is embodied in the political existence, for the performance of social system, political theory and a variety of cultural facilities, the ideology of people constitute the unconscious deep depression,the formation of unconscious language transformation by the Chinese nation to bear the disaster of war and chaos of memory. Mo Yan’s literary world is influenced by this kind of ideology and a kind of aesthetic reproduction of the real world, the deep connotation implied in the text that is on the national suffering concerns,his performance is the concept of social imagination of a unique history and reality. Mo Yan’s text has multiple meanings, National Fable is one of the important connotation.National Fable sources of Jameson’s Third World National Fable, the core of the third world nation fable is an expression of national survival sentiment to symbolize and imagine the localization. National Fable in Mo Yan’s text is out of the formation of the history of the Chinese nation the misery of historical memory, this memory became a kind of unconscious narrative is an allegorical expression on the history of the Chinese nation.Based on careful reading, reading methods based on Jameson’s theory of the political unconscious for, Unconscious way of narration in depth interpretation of Mo Yan, dig out the National Fable implied by the text, thus revealing the creation of Mo Yan’s motives and causes. On the premise of the theory of the unconscious, this dissertation also introduces Faulkner and Marquez, and other Western writers texts, were analyzed with Mo Yan’s text,from the side to verify the National Fable implied in Mo Yan’s text. The full paper isdivided into four chapters. The first chapter unconscious myth narrative interpretation of Mo Yan’s text, in-depth interpretation of the myth as the National Fable special vector art style; The second chapter explains the unconscious thought psychological narration in Mo Yan’s text, and through the analysis of psychological narrative, the interpretation of the lonely individual reflects national; The third chapter analyzes the narrative focus unconscious history in the texts of Mo Yan family, explores a family can be used as a miniature of a nation; The fourth chapter focuses on the interpretation of the unconscious Mo Yan text localization narrative, discusses the National Fable Mo Yan localization in the narrative strategy and narrative. This paper does not deliberately pursue theoretical construction, but through the in-depth analysis of the text, multi hierarchy text rendered Mo Yan unconscious way of narration, and tries to restore the National Fable implied in Mo Yan’s text.